Sergio Tramonti
A couple of bourgeois intellectuals, Carlo and Silvia are married for twenty years. But they wearily live their relationship separately; while she lives in their original flat in Rome, he lives with a young lover, Lù from time to time in his house in the country while writing a book. He does not keep his relationship hidden from his wife and even accepts that Silvia may have lovers, among them in particular a young and violent neo-fascist. But this relationship rekindles Carlo's jealousy and he becomes obsessed by knowing everything about her affairs and jealousy makes him blind. The film navigates between eroticism, decadence and perversion, in an obscure game with no wins or winners.
A group of actors meet with little money in a unofficial theatre in Naples' Spanish Boroughs. Director's plan is to travel to Sarajevo, still under siege, to stage a classic Eschilus' play about civil war in Tebe. While they rehearse in the theatre cast members come and go and another kind of war goes on every day in nearby streets of old Naples.
Hit man Antonio Mancuso travels to Italy to make the big time. He meets and befriends Mafia boss Don Vincenzo. Mancurso becomes part of the organization and the more he gets to know Vincenzo the more he wants his job but Mancurso will learn that success can come at a severe cost.
Plenty of fun erotic stories in the spirit of the "Decameron", united by one constant hero - unlucky cow Fiorina.
Barbara (Monica Vitti) is a journalist investigating the local counterculture who becomes involved, after an unpleasant start of battery and stalking, with Pierre Clémenti's louche all-around dropout.
A beautiful Italian woman is told by her black friend about the Carribean love god Jambaya who appears in the form of the snake. By the end of the movie, Cassini has decided to give herself to Jambaya while Cunningham departs with her white friend's ex-lover, establishing a neat symmetry between their respective fantasies of exoticism.
Rome, Italy. After committing a heinous crime, a senior police officer exposes evidence incriminating him because his moral commitment prevents him from circumventing the law and the social order it protects.
