Sevan Najarian
A snarky critic navigates violent personalities and inflamed egos while incarcerated at a prison for the arts.
This was my entry to a very old (2004) Channel101 pilot for FX. IT SUCKS! DON’T WATCH IT! Out of all the things I’ve ever made, THIS is the one that I am the most ashamed of. I hesitated to even post it on this website, but that felt like the wrong thing to do. Let me start with the things that I love about this. I love Patton Oswalt as the father. I wrote the character to be like Dave from “Alvin and the Chipmunks” and Patton delivered the goods and then some. I love Rich Fulcher as the battery guy/ dad’s friend. Rich is amazing. I love Laura Silverman as the little girl. in fact, I love all the voices except for Toro and Moro themselves. I also love the character designs and I love the painted backgrounds by Steven Chunn. I love the look overall. It feels nice. But I dropped the ball where it counts the most. The story and the comedy.
It's a tough gig working for the Water Department, and it's also a tough gig working in Power. Dan Harmon and Ryan Ridley show you why.
This here is a cartoon I wrote for the Sarah Silverman show y’all! Same team as on all the short cartoons I wrote and directed for the Sarah show. The Fantastimart characters were designed by Rob Schrab. He’s great. He should design more things. I guess he just doesn’t have any time.
Once upon a time, Mr. Sprinkles brought mirth to children on rainy days. That was once upon a time: this is now.
After an open mic night, JB and KG get a message from Michael Keaton who tells them that the time-space continuum has been disrupted at the Ford's Theater in 1850 and only Tenacious D can fix it.
A lot of people forget that before creating one of Channel 101's most marketable [if illegal?] breakouts, House of Cosbys, Comic Sacrifice was the team that brought you Hilarious Jokes and It's Twissleton. Imagine, if you will, Justin Roiland blowing off steam...
Pretty President was the result of an unlikely collaboration between Shitcock co-creator Wade Randolph and House of Cosbys animator/editor Sevan Najarian. Smart, funny and fast, its who-gives-a-shit story may have been its greatest strength and weakness. Like about half of all prime time shows, Pretty President was impeached on its second episode.
Christmas World 2050, where it is Christmas all year long. Justin Roiland and Drew Hancock join forces to imagine a world where a Christmas Item Retrieval Team travels between worlds to steal Christmas things. Crowned "Best Failed Pilot" at the 2006 Channy Awards.
When Phone Sexxers premiered in the summer of 2006 the audience granted the simple show about Phone Sex the honor of another episode. Ryan Ridley and Abed Gheith took their good fortune and ran with it, re-inventing themselves with every episode, right up until the end of the 2006 season. They managed to juxtapose the inner workings of the male phone sex industry with situations ranging from high-rise bloodbaths to the depths of hell, and did it with the kind of class and skill that landed the show Best Editing, Best Special Effects, and Best Writing at the 2006 Channy Awards. In January of 2007, Phone Sexxers ended their legacy with a touching self-cancellation that would make Mike Nichols proud.
House of Cosbys was an animated cartoon about a Bill Cosby fan, who creates a cloning machine to clone a series of Cosbys, each with a different personality. There were four episodes made by Justin Roiland, each about five minutes. An unofficial fifth episode was also made. It was first aired on the internet television channel Channel 101, and was the first of Channel 101's programs to spend three consecutive months at the number one spot.
This is another one of the cartoons I wrote and directed for The Sarah Silverman Program. Same team as the other Sarah cartoons, consisting of Andrew Delange on backgrounds, design, and color; Myke Chilian on character animation, design, and color, AND the absolutely adorable Sevan Najarian on Aftereffects animating, lip sync, and other odds and ends. We were a one stop shop. We had it down. We knew what we were doing. We had it all figured out. Huge shout out to Abed Gheith who voiced the evil Mister Cookiecrumble guy. He really did a great job. Good work pal! These were really fun to make. We were on the lot, able to run around the sets and be assholes while everyone else worked hard to produce and film Sarah’s show. I would go and grab whoever I could in between takes and record them in an office or whatever I had available to me. We really were a rag tag team of rough and tumble animators, just finding our way in the big bright city. I was so proud/ excite...
A marijuana induced experiment that generated more data than ever expected, MESI was a show that taught us all a lot of lessons, none of which may ever be agreed upon. Rejected by the prime time panel, it was the only show to ever enter the screening via the short-lived "wildcard" system, then went on to garner more votes by acquiring the beloved Sarah Silverman and heroically committing to its anti-production value. After entertaining many, irritating many and confusing many more, MESI was put to an appropriate death in the bloody Halloween screening of 2005.
Rock Gods, as a followup to the much loved but short-lived S.O.S. Fantome, officially established The Valley Pals as recognizable, bankable talent within the 101 universe. The second episode in particular felt like a group of young writer/performers truly finding their own unique voice, after which point it's easy to imagine that the tedious chore of animating this show became less attractive. Having realized that they could probably get just as many votes for one tenth the labor, The Valley Pals voluntarily retired their own hit show by going over the time limit in a very memorable fourth episode.
Imagine "knowing what's going on" as being a desert, and this pilot as an oasis.
The creators of Friends and Lovers and It's Twissleton bring you a little harmless comedy.
The creators of "Friends and Lovers" return, this time coupling their trademark absurdity with a coherent story and likeable characters. Not to mention the amount of work that has to go into a Channel 101 animated show. This one could have been a real juggernaut, but my feeling is that it suffered from the sometimes unpredictable effects of maximum audio volume in Cinespace's theatre. Some of the dialogue was hard to catch at the screening- which is not the case at all on your computer, so enjoy.
