Severin Fiala
A group of refugees hidden aboard a container ship discover their passage to safety is not what it seems
A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind’s darkest fears, these stories laid the foundation for what we now know as the horror genre.
In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.
The camera turns in circles around a group of friends during a drinking game in a cellar.
It is forever night and nobody knows why. Humans hide in caves and pits. Dirt and darkness are their companions. All they hear is the wind howling across the frozen wilderness. Joe does not hear the wind, though. He only hears the deafening rattling noise of his generator which provides light and life. He does not need to worry about night monsters. He has ample time to look for the solution to the mystery of eternal darkness. INTEC has something to with it, and he will find out the rest as well.
An english-language remake of the 2014 Austrian cult hit of the same name.
Featuring disco parking lots, Elvis impersonators and tough choices between personal happiness and responsibility for others, Elephant Skin combines its almost documentary grit with thick dialects and gentle stoicism to produce a superior fiction film.
It takes place in Upper Austria in the middle of the 18th century. A small child is murdered, a woman confesses and surrenders. She wants to be executed for her crime. And she is not alone. A film based on a truly untold chapter in European history. A film about women, religion and ritual murder.
