Shizue Kawarazaki
Oshima’s magisterial epic, centering on the ambivalent surviving heir of the Sakurada clan, uses ritual and the microcosm of the traditional family to trace the rise and fall of militaristic Japan across several decades.
Successful and married with children, paper-mill owner Jihei knows better than to contradict the strict social and moral codes of 18th-century Japan. But when he meets the lovely courtesan Koharu, he becomes a man obsessed. Koharu returns his love, even foregoing other customers while Jihei schemes to somehow buy her freedom. His efforts yield ruinous consequences for his business and his family life, and Koharu is meanwhile purchased by another client.
Kabuki adaptation: A princess, a figure from the literary past who anticipates a modern woman, tempts a self righteous priest.
Describes the oppressed life of the crab fishermen and their final revolt which is bloodily suppressed by the Royal Navy. (Set in the 1920's)
A period film about a peasant revolt in the region near Mount Fuji, occasioned by high officials' depriving the farmers of their water rights.
About the struggles of day labourers to achieve dignity and a standard of living above the starvation level. Utilising the Zenshinza theatrical troupe.
Set in the late Edo period of the assassination of Dairo Ii, the sword and emotional romance that depicts the murderous world. The turmoil of the end of the Edo period is depicted through the nameless Ichii people, centering on the main character of the Hatamoto collapse that is drunk by the waves of the end of the Edo period.
The story develops in the Tokugawa era of the 18th century, in a poor district of Tokyo, where impoverished samurai live from hand to mouth among equally poor people of lower social classes. One such ronin (masterless samurai) Matajuro, spends his day looking for work whilst his wife, Otaki, makes cheap paper balloons at home. One rainy night, Shinza, a barber, and equally penniless, impulsively abducts the daughter of a wealthy merchant, hiding her at Matajuro's home. Their desperate plan has grave consequences when a ransom attempt backfires. The film, which starts and ends with suicide, is deeply pessimistic, insisting that life in feudal Japan was hellish and short for those at the foot of the social ladder.
Based on a well-known Kabuki drama titled "Kochiyama to Naozamurai", which Yamanaka distills into a masterpiece of jidaigeki (period film) as shomingeki (everyman drama), blending the two into something he apparently had rights to entirely in Japan during the 30s. Through a series of intrigues, Kochiyama, Naojiro (who becomes Hirotaro for the film), Ichinijo, and Hirotaro's sister Onami (played by a young Hara Setsuko) all pretty much have the worst day or two of their lives.
A tragic period film about a gangster who comes out of prison and finds it hard to find a place again in society.
