Shôichirô Sakata
A married couple enjoy engaging in S&M sexual behavior, and the wife, Yuri, asserts, "The ultimate SM play is death." After her husband dies, supposedly accidentally, Yuri is left alone, grieving and self-destructive. Her mental state deteriorates as she watches and masturbates joylessly to the home-made SM videos she made with her husband.
Following cosmetic surgery to enhance her breasts, an office worker is raped. The rapist's son, after setting his distinctly Oedipal gaze on his father's busty victim, locates her and they begin an ill-fated sadomasochistic affair that leads to a bloody killing spree.
Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends. The screenplay was titled "The Gods Have a Nervous Breakdown," which should give some idea of the symbiotic descent into psychosexual dementia that ensues. Rei Takaki co-stars with Shoichiro Sakata and Asako Shirakawa.
Japanese cult filmmaker Hisayasu Sato took a crack from his constant climb toward respectability with this particular kinky pinku-eiga entry aimed at the latex and rubber fetish set. A medical center nurse dealing with a patient for amnesia finds out that he is the serial slayer whom has been wandering the city armed with a metal baseball bat. The story is really an excuse for many softcore couplings offering rubber gloves as well as the like. an usually downbeat wallow in the perverse, perhaps offering evidence that while one can take the filmmaker out of the slum, the reverse is often untrue. Maya Shiraki movie stars with the omnipresent Takeshi Ito and Yoko Fujita.
Director Hisayasu Sato helmed this peculiar tale about a woman known as Locker Baby because she was left in a bus station locker as an infant. Locker Baby is raped by a man clad in black leather, traumatizing her still further, and driving her to sensory-deprivation therapy. Unfortunately, she is raped during the course of the therapy and becomes pregnant.
In Young Lady Detectives, student girls Misao (Nishiwaki) and Harumi (Yuko Mizushima, who specializes in showcasing), stand up for the search engine to avoid getting a genuine profession. Surprisingly, the girls get a workday on the first day, when a man in the office asks them to look for his missing daughter. The task takes the deckers into the traces of criminals forced into sex slavery. The search for work is mostly on the shoulders of Misao, because sexually active Harumi consumes his time mainly in bed. Misao lacks the man’s experience completely.
The true story of a pair of college students who attempted a double suicide to end their doomed romance becomes fare for legendary pinku-eiga director Hisayasu Sato in this feature. Fatalistic and sad, this is one of the more depressing Japanese softcore films, and Sato makes it even worse by including footage from the lovers’ actual 8 mm experimental film throughout the story
A fictional account of the life of Japanese author Yukio Mishima told in four parts. The first three parts relate events in three of his novels: The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses. The last part depicts the events of 25th November 1970.
Story of Japanese girls seeking erotic encounters with African-American U.S. servicemen in Yokosuka.
Tachibana is a drunk whose gambling compulsion ends up putting him in a bad way with the local Yakuza. Unable to pay his debt, he hocks the deed to his wife Izumi's restaurant (which she inherited from her now deceased father) in order to stay out of trouble with the thugs.
