Socorro Avelar
Atrévete a Olvidarme is a short-lived Mexican telenovela. Running for only one month in 2001, the program starred Adriana Fonseca and Jorge Salinas.
Alma Rebelde is a 1999 Mexican telenovela, starring Lisette Morelos, Eduardo Verástegui and the late Edgar Ponce. It was produced by Televisa. This telenovela contained 90 episodes.
An android fighting-machine (Mario Van Peebles) is charged with destroying a small brigade of rebels in a Latin American war who are fighting to maintain their freedom and protect their village. Contrary to his programming, Peebles decides to stay and assist the rebels in their plight. Having gained this information, his "creators" develop a more powerful android to try and defeat him.
Sofia meets a stranger man who hacks the computer system where she works before she has an accident. After the accident, she is the only one that remember seeing this man, so she decides to search for him.
A very poor and handicapped man lives in a small town in Mexico with his mother. He works announcing things along the town ("The priest lost his cow, if someone sees it ..."). He is very interested in the cock fighting. One day a man gives him a loser cock, thinking to give him something to eat, but instead he takes care of the animal and it becomes a winner cock. He begins to win some money. La Caponera, a very good looking singer, earlier avoided him but now she uses her coquetry to gain some drinks. He thinks she is his talisman so he marries her when he becomes rich, taking her apart from the show-biz, so she begins to feel very unhappy.
A young man gets involved in the drug trade and is murdered. His father sets out to find the killers.
Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister town, inhabited by mysterious voices and whispers…
Mateo Melgarejo is a notary public and scribe for the illiterate people of Santo Domingo, a neighborhood north of Mexico City's Zócalo. A squatter friend asks for his help in negotiating with the land census bureau to regularize a land title. After a great deal of frustration with the government bureaucracy, he writes a letter to the cabinet minister, earning an audience with him. The minister hires Melgarejo to reform the bureau, and the appointee proceeds to lecture the officials on their duties in a democratic society. At the end, he gives up the post, returning to Santo Domingo to help its poor residents.
After the sudden end of a high class party, a couple, Jaime and Paloma (Enrique Álvarez Félix y Julissa), splits from the group and wander through some streets of Mexico City. The rain and the searching for a most proper place for intimacy head them to a car apparently abandoned. After a little kissing in the car, the couple realizes that the car is actually owned by Captain Gato and his caifanes. This encounter starts a tour around Mexico City, encouraged by the fascination shown by Paloma and for the manners, the way of speech and the treatment of the lower classes as well as the spontaneous friendship (always under suspect) that Los Caifanes provides them. The rest of the film is a portrait of the night life in the mexican capital city in the tumultuous and psychedelic sixties. As the group goes to cabarets, parks, funeral homes, taverns and public squares, some customs of the time are shown, alternating with a wide range of artistic expressions.
A group of young people makes a plan to escape from the problems of their neighborhood.
Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".
Nazarín is the priest who leaves his order and decides to go on a pilgrimage. As he goes along subsisting on alms, he shelters a prostitute wanted by the police for murder. He is released from suspicion and she eventually catches up with him when she escapes imprisonment. Another woman joins the duo and soon the ex-priest is learning more about the human heart and suffering than when he wore robes.
