Sol Frieder
"Niagra, Niagra" begins quietly in a drugstore in Poughkeepsie, where Marcie, the film's disarming heroine, likes to shoplift. She literally crashes into Seth, a quiet outsider, also on a shoplifting spree. Marcie invites Seth to accompany her to Canada to find a black hairstyling head. They set off in Seth's beat-up station wagon, destined for a toy store in Toronto. While on the road, Marcie confides to Seth that she has Tourette's syndrome, necessitating a series of detours to liquor stories and pharmacies along the roads of upstate New York.
The actual experiences of New York City subway riders are dramatized in a collection of 10 intriguing and very different vignettes. The tales showcase an ensemble of familiar faces, and range from stories of compassion and love to reflections on violence and loss. Among them: a disabled beggar quarrels with a woman and ruins her shoes with his wheelchair, provoking onlookers to wrath and pity; a skittish tourist proves to be her own worst enemy; a newlywed trysts with a mysterious sexpot; a commuter helplessly witnesses a suicide attempt; and, in the most affecting segment, a young woman grieves over her mother's imminent death.
An ophthalmologist's mistress threatens to reveal their affair to his wife, while a married documentary filmmaker is infatuated by another woman.
A nutty inventor, his frustrated wife, a philosopher cousin, his much younger fiancée, a randy doctor, and a free-thinking nurse spend a summer weekend in and around a stunning - and possibly magical - country house.
Life imitates art when two Manhattanites — pompous teacher Willie and quiet photographer Phil — become friends after a thought-provoking screening of "Jules et Jim," Truffaut's classic film about a decades-long ménage à trois. Soon, the men meet Jeanette, a sexually liberated southern transplant who promptly falls for both of them. Frustrated passions curdle into jealousy as Jeanette entertains love affairs with each in the ensuing years.
An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953.
Set in 19th-century Russia, Allen is a cowardly serf drafted into the Napoleonic war, who would rather write poetry and obsess over his beautiful but pretentious cousin. Allen's cowardice serves him well when he hides in a cannon and is shot into a tent of French soldiers, making him a national hero. A hilarious parody of Russian literature, Love and Death is a must-see for fans of Allen's films.
