Srabanti Chatterjee
The Film is based on the 2018 students protests demanding road safety in Bangladesh that were held from July 29 to 8 August 8.
Habol is a photographer has a studio near a crematorium. He is passionate in taking pictures of dead bodies. He works with a senior photographer Kanak in various wedding photoshoots. One day when Kanak leaves the town, Labonya a mysterious housewife comes to Habol. He falls in love with Labonya and starts staying together. When Habol's friends ask about their relationship, he disappears with the mysterious lady from the area
Faisal lives happily with his daughter and his mother as a single father. He is very serious about work when it is time, and his whole life is based on his daughter. However, when a new employee named Ayitr (Srabonti) joins the company, she not only gets close to his daughter but also towards Faisal's heart.
Alokesh and Mina both are very particular about their hair. As they share a similar affection, they decide to get married. In a twist of fate, Alokesh starts using an unknown hair oil and loses his hair which results in the marriage being called off. Will he still be able to win Mina's heart?
Three friends plan to start a business of capturing ghosts using a strange instrument. The instrument has been received by one of the friends as the legacy of his grandfather. After getting the instrument they decide to turn as ghost hunters and earn money. But things changed when most of their lies turn out to be true and both the living and the dead chase them for answers. And from here series of the comedy of errors begin to change their lives forever.
Drishyantar is a thriller with doses of romance and fun, based on the ambiance of a theatre play being designed for shows.
This is the journey of Sarmista, an upright and honest investigative journalist through the web of media politics and her fight for the truth. She braves various situations to capture news at great personal risk only to realize, to her horror and disbelief, that the channel won't telecast her report.
Amal works as a security guard in a mall and is tempted by the world of wealth surrounding him. When a close friend introduces him to the underworld element, he becomes trapped in a web of greed, lust and crime.
Shirshendu Mukhopadhyay's famous tale of 3 generations of women & their changing position in society,seen in relation to a box of jewels, handed down from one generation to the next. A film by Aparna Sen.
The film is filled with hilarious moments and sequences that will entertain the mass audience greatly. The credit for this goes squarely to Soham who puts in a sparklingly fresh and funny performance and dances well too in his image of a very ordinary and simple boy who is scared out of his wits with the threat of death hanging over him like Damocles’ sword. It feels good to finally meet a hero who is timid of his opponents, does not sport a six-abs body and is like most young men of his age.
Dujone has the college-going Meghna (Srabanti) and Akash (Dev) falling for each other. But with Meghna's dad being in the fish business as opposed to Dev's industrialist dad, objections are an obvious progression. Things get murkier and gory what with Akash's dad keeping him caged in Siliguri and Meghna's against-romance pishi (Seema) keeping a hawk's eye on her every move. And just when you thought you've seen the best of De's muscle flexing and Srabanti's desperation to meet Akash, in comes a contract killer (Arijit) employed by Akash's dad to finish off Meghna. As all action stories should end, Dujone too reaches a fitting finale with Meghna-Akash's love triumphing over all odds.
A situation brings two couples at loggerheads with each other in London.
