Stan Lapinski

This snackbar, owned by Ali, in a suburb of Rotterdam is a refuge for the local Moroccan youth. They are wild, violent and criminal. To them Ali is like an old, trustworthy Turkish uncle, understanding, funny but also strict. But what if Ali, with his addiction to gambling jeopardizes their habitat?

A widowed Latvian father's quest for a much-loved Dutch pen pal, whom he hasn't heard from in three decades, provides the basis of this comedy-drama. The father is accompanied by his traumatized and mute eight-year-old son whom he had to kidnap from a Riga hospital. Together, the two flee towards Holland where the father Yuris hopes to find his long-lost friend Marie, whom he remembers as a great beauty. During the long journey, father and son have several funny adventures, many of which occur because neither father nor son speak much Dutch. They finally arrive at Marie's door empty-handed. What they find, gives them little hope, for the lithe young idealist of Yuris' dreams has become middle-aged and cynical.

Frans van de Staak, Holland's most prominent avant-garde director, made this film "...about people who want to get something done. I leave out the why as well as the results. What's left is the moment of endeavour. There are two couples. The four characters are played by eight actors. There is little dialogue. Sometimes a couple does not seem to live together, just to be alive together in the same room. Each one of them at one time walks through an anymous part of Amsterdam. They put their feet down with a will, clicking their way through town. We do not know where or why they are going. To a meeting, to get some exercise, nowhere? They have difficulty in communicating. They leave notes to each other on the table rather than talk. The film sometimes mocks their intensity. It is surprising that such a strange film can keep the viewer's attention for an hour and a quarter. But it certainly does. (Dutch Fim 1988-89)