Stanisław Michalski
Takes place on an ocean liner from Canada to Poland. It is a story of several people with pasts and problems stemming from uncomfortable confrontations. The main confrontation is between a Polish doctor with a heart condition meeting a man he knew before. Neither of them was willing to admit their differences from the college days. The meeting torments the doctor enough to start him drinking and dying of a heart attack.
After discussions and dishonest negotiations, a decision is taken as to where a large new chemical factory is to be built and Bednarz, an honest Party man, is put in charge of the construction. He used to live in the small town where the factory is to be built, his wife used to be a Party activist there, and he has unpleasant memories of it. But he sets to the task in the belief that he will build a place where people will live and work well. His intentions and convictions, however, conflict with those of the townspeople who are primarily concerned with their short-term needs. Disillusioned, Bednarz gives up his post.
A married couple from the city goes to a lodge for the summer. Despite the idyllic surroundings, the woman is more and more anxious. The locals tell the story of a sunken tourist, the husband ignores his wife's growing fear. Meanwhile, a stranger comes to the house.
Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.
After completing a project, a shipbuilder grows restless and travels the country on his motorcycle. He leaves behind his wife, a woman of virtue and responsibility, as he goes off on his amorous drunken escapades. He is part of a lost generation whose economic and vocational prospects have been severely limited in the decades following World War II. His summer cabin on the Baltic beach is torn apart by drunken revelers to feed a bonfire in this brooding and often depressing film.
A short Polish black and white silent movie directed by Roman Polański. The film features two men who emerge from the sea carrying a large wardrobe, which they proceed to carry into a town. Carrying the wardrobe, the two encounter a series of hostile events, including being attacked by a group of youths (one of whom is played by Polanski himself). Finally, they arrive back at a beach and then disappear in the sea.
As directed by Aleksander Ford in 1952, this Polish-language period drama chronicles the life, times and accomplishments of revered Warsaw-born Romantic composer Frederic Chopin, here played by Czeslaw Wollejko (Danton). The feature focuses exclusively on the youth of Chopin (who died at age 39), spanning his 15th year (c. 1825) through his 21st year (c. 1831); it also depicts Chopin as both prodigiously gifted and one filled with a tremendous spirit of Polish nationalism. Ford concludes with the onset of the illness that eventually killed Ford, set against the backdrop of the famous November Uprising in 1830.
