Stanley Bennett Clay
A 65-minute documentary examining many underlying psycho-social factors causing depression in Black gay men: struggles with sexual orientation and identity; being sexually abused by an older adult family member/relative/familiar or authority figure; pastors and imams declaring that a gay man is an abomination and encouraging ostracism from families and communities; low self-esteem, setting out to contract HIV as a form of suicide with the ensuing stigma and discrimination accompanying the diagnosis; and for many aging Black gay men, struggles with loneliness, isolation and abandonment, including desperation for affection, intimacy and sex. In interviews with Black gay men of varying ages, opinions from mental health professionals and religious leaders, and re-enactments of experiences explores the reasons for the descent into depression and suicide.
Humanoid killer robots stalk a newspaperman, who has knowledge of their existence. One of the robots is made to look like his girl friend.
Two black brothers in a traveling minstrel show in the early part of the twentieth century have two different goals. One brother is determined to succeed in a field that is dominated by white performers in blackface, and the other is a composer fighting to break away from the stereotypes associated with black minstrel performers.
Coy "Cannonball" Buckman (David Carradine) and his blazing red Pontiac enter the Trans-America Grand Prix, an underground road race spanning the continent in which there are no rules, no speed limits and no heed for the law. En route, Buckman jockeys with an international ensemble of racers for a $100,000 purse. But there are none more important than Cade Redman (Bill McKinney), his direct competition for a guaranteed spot on the elite Modern Motors racing team.
In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National Headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. After the editor of the Post runs with the story and assigns Woodward and Carl Bernstein to it, they find the trail leading higher and higher in the Republican Party—and eventually into the White House itself.
Englishman Robinson Crusoe, stranded alone on an island for years, is overjoyed to find a fellow man, a black islander whom he names Friday. But Crusoe cannot overcome the shackles of his own heritage and upbringing and is incapable of seeing Friday as anything other than a savage who needs Crusoe's brand of cultural and religious enlightenment. Friday attempts to share his own more generous and unashamed culture, but ultimately realizes that Crusoe can never see him as anything but an inferior being. With that awareness, Friday sets out to turn the tables on Crusoe.
Colonel Pete Moore (Glenn Ford) is commander of the Whitney Radar Test Group, which has been experiencing electrical difficulties aboard its aircraft. To ferret out the problem, he sends a four-man crew on Flight 412. Shortly into the test, the jet picks up three blips on radar, and subsequently, two fighters scramble and mysteriously disappear. At this point, Flight 412 is monitored and forced to land by Digger Control, a top-level, military intelligence group that debunks UFO information. The intrepid colonel, kept in the dark about his crew, decides to investigate the matter himself.
