Stanley Smith
An American joins the British Royal Air Force just before Pearl Harbor is attacked, and falls in love with a beautiful English girl.
When a barnstorming stunt pilot decides to join the air corps, his two goofball assistants decide to go with him. Since the two are Abbott & Costello, the air corps doesn't know what it's in for.
Petty con artists, Bud & Lou mistakenly join the Army evading the cops. The cop chasing them winds up as their drill instructor. A rich young man and his former working class chauffeur are not only in the same unit, they're vying for a pretty girl who seems attracted to both.
A rookie flyer, Ens. Alan Drake, joins the famous Hellcats Squadron right out of flight school in Pensacola. He doesn't make a great first impression when he is forced to ditch his airplane and parachute to safety when he arrives at the base but is unable to land due to heavy fog. On his first day on the job, his poor shooting skills results in the Hellcats losing an air combat competition. His fellow pilots accept him anyways but they think he's crossed the line when they erroneously conclude that while their CO Billy Gray is away, Drake has an affair with his wife Lorna. Drake is now an outcast and is prepared to resign from the Navy but his extreme heroism in saving Billy Gray's life turns things around.
A young girl just out of prison and desperate for money finds herself involved in a plot to smear a politician by pretending to be his long-lost daughter.
Made during the early years of the movie musical, this exuberant revue was one of the most extravagant, eclectic, and technically ambitious Hollywood productions of its day. Starring the bandleader Paul Whiteman, then widely celebrated as the King of Jazz, the film drew from Broadway variety shows to present a spectacular array of sketches, performances by such acts as the Rhythm Boys (featuring a young Bing Crosby), and orchestral numbers—all lavishly staged by veteran theater director John Murray Anderson.
Mr. Schmidt's costume store is bankrupt because he spends his time on Rube Goldberg-style inventions; the creditors send a young manager who falls for Schmidt's niece Louise, but she'll have none of him. Schmidt's friends Ted, Queenie, and some goofy firemen try to help out; things come to a slapstick head when Louise needs rescuing from a fire.
A young waitress falls for the son of a railroad tycoon, and finds herself hobnobbing with the rich when he invites her to spend some time with he and his family in Palm Springs.
The two partners of a ladies' garter business are constantly feuding with each other. When they ask their lawyer to dissolve their partnership, he proposes that instead the two of them play a single poker hand: the loser to become the winner's personal manservant for a year.
Ed Wynn, a waiter, tries to get hit employers daughter a start on the stage; Ginger Rogers replaces Ethel Merman when Merman is kidnapped.
The 1916 Alice Duer Miller play Come Out of the Kitchen, previously filmed in 1921 with Marguerite Clark, was expertly transformed into early musical Honey. The story takes place in a poverty-stricken Virginia household, where blue-blooded brother and sister Olivia and Charles Dangerfield (Nancy Carroll and Skeets Gallagher) are reduced to renting out their mansion. Pretentious Yankee dowager Mrs.
Joe Collins (Eddie Quillan) arrives at Hanford College to begin his second year with $200 to pay his tuition, is enticed into a craps game, and loses all in this nostalgic slice of college, replete with songs, romance, prom dances and the inevitable big football game.
