Stefan Krohmer

Hanns Zischler embarks on a walk to Canossa in "Prof. Wall in the brothel": A law professor desperately wants to make amends, that through his guilt an outstanding student has broken off and now works as a prostitute. With targeted provocations Emilia Schüle as Aurelie takes apart his self-righteousness. Director Stefan Krohmer focuses on the psycho-duo of the excellent leading actor in his chamber-like staging: The longer the dispute lasts, the more the original balance of power between the prostitute and her unusual client turns upside down.

A house. Two couples. Two life concepts. It should be an idyllic afternoon with coffee and cake - in the end, shards, not just the dishes, must be swept together.

Andrea Bredow makes friends quickly with her new colleague at the health department. Judith Lorenz seems nice and competent. And she does not like anything about office macho Volker Lehmann. But then the unbelievable happens: Judith is brutally raped by Volker Lehmann during her working hours in a storeroom. So she tells Andrea and later the police. Andrea encourages her friend to tell the truth. But Judith's behavior seems increasingly puzzling.

What do parents think first when the room of a 15-year-old is empty on Sunday morning? The fact that he secretly goes to church, brings his otherwise open-minded patchwork family together: what's going on in the child's head? While Ulrike C. Tscharre wants to be the indignant mother of the pastor, Ben Braun proposes in the role of the casual stepfather before a self-experience trip in the distance.

Jonas (Benno Fürmann) and Marit (Maja Schöne) lead an unconventional relationship. They moved from Cologne to Berlin because Marit got a lucrative job there. This makes Jonas temporarily unemployed - but one has to take care of children and household.Talking together, being open and honest and making music together is the basis of this family, where everyone can make their own thing and feel at home at the same time, a family where parents see themselves as life-long companions of their children. This modern family code is put to the test when the couple meets a pioneering agreement after 14 years of relationship -both of them do not want to miss family as it is now , but they do not want to give up their sexual needs completely for the sake of domestic peace.

A young German woman is searching for the man she loves in northern Russia.

When her 80-year-old father Robert needs a caregiver after an accident, Ira wants to take care of him at home - despite her difficult relationship with him. He had left her and her mother to start a second family. But now she sees the opportunity to approach him. However, given the high cost of care, she knows how to help but hire the Eastern European caregiver Elisaveta, who works for her black - much to the displeasure of her husband Marquard, who has ambitions as a local politician in addition to his work as a career counselor and never before understood with Robert.

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Set in the early '80s, a time when a new wave of leftist political consciousness and activism had swept German youth (and was just about to disappear as quickly as it arrived), this satiric comedy follows a young couple, Ingo (Hans-Jochen Wagner) and Nadja (Valerie Koch), as they travel to Austria for a weekend of skiing near her parent's luxurious chalet. While Ingo and Nadja have an open relationship, he thinks its time that they commit to one another exclusively, and is hoping this weekend will convince her this is a good idea. However, their privacy is interrupted when several guests arrive -- friends of Nadja's brother Knut (Ingo Haeb), a noted political activist, who, unbeknownst to her, has also planned a ski weekend. As the guests await Knut's arrival, they get the unpleasant news that he's been arrested during a demonstration; several propose that they should come to his aid, while the majority decide instead to go skiing as a way to pay tribute to his commitment to the cause.

Klarissa, 26 years old, takes intensively care of her mother Waltraud who has a terminal illness. However, Waltraud isn't grateful, but amused because she doesn't want anyone's pity. As she doesn't like Klarissa's boring boyfriend Marius, she -together with her partner Enno- tries to convince her daughter to leave Marius and enjoy her life. Enno also wants to improve the women's relationship, which changes Klarissa's feelings towards him dramatically.

While stressing out over her final exams, Antonia the Cow meets the night watchman, Kurt the Lion. They fall in love, but their relationship is met with great skepticism by the world around them. Antonia‘s farm animal roommates have little time for these predatory posers from the wild, while Kurt‘s pride still view themselves as the kings of the jungle and can‘t understand why he‘d choose a cow as a partner. When a sheep goes missing, suspicion falls on the carnivorous Kurt...