Stefania Careddu
There's trouble in Frankie Diomede's criminal empire in Genoa. A French gangster has moved into his territory, so he flies home to take care of business. He promptly has himself arrested so that he'll have the perfect alibi when the bodies start piling up. But it turns out his enemies have enough juice to keep him in prison, his associates start dying and the attempts on his life start. Cue Tony Breda, a wannabe wiseguy, who has a plan to spring Frankie from jail.
When women were called Madonna is a film of 1972 directed by Aldo Grimaldi . The film is one of the first Italian erotic comedies in which a licentious bursting Edwige Fenech struggles with the nagging demands of three suitors.
The relatives of a young rebellious hier to a fortune (Dean Reed), who spends most of his time on a yacht, try to have the kid interned as a madman, but are mysteriously killed one by one, in the family's villa. A girl (Stefania Careddu), lost at sea and saved by the young man, will also have some surprises in store… This giallo was filmed in 1969 but not released until two years later and remains extremely rare.
On his way back from the Civil War, Johnny Hamilton is visited in his sleep by the ghost of his father who lets him know that he has been murdered and who asks him to avenge him. Back in the family ranch, Johnny finds that not only has his father been killed but that Gertrude, his mother, has married her late husband's brother Claude. The latter is now the owner of the ranch and of all the properties of the deceased. Polonius, a ruthless bandit, is supposed to have killed Johnny's father. But couldn't it be Claude...?
Any Gun Can Play (Italian: Vado... l'ammazzo e torno) is a 1967 spaghetti western starring Gilbert Roland, Edd Byrnes and George Hilton. The film is directed by Enzo G. Castellari and features a score by Francesco De Masi and Alessandro Alessandroni. It follows a familiar pattern of protagonists searching for gold, double-crossing one another and a high body count. The three main characters continually change allegiances and get the upper hand only to be thwarted by fellow outlaws, mysterious insurance investigators and each other. In the opening scene one of the three outlaws is dressed very similar to Clint Eastwood's character in the "Dollars" trilogy, one is dressed as Lee Van Cleef's characters in those and other westerns, and one as Franco Nero's character Django.
When Gordon Smash tries to get away with the loot from a successful diamond heist, his fellow conspirators shoot him in the back. Smash manages to get a clue to newspaper reporter Robert Foster, who sets of to retrieve the diamonds. Despite becoming a target for the rest of the gang, Foster prefers to rely on fashion model Arabella and news paper photographer 'Flash' instead of the more seasoned Inspector Chandler.
Giovanni Percolla lives in Catania surrounded by the attentive cares of his three sisters. He permanently acts like a Don Giovanni to hide his real poor "knowledge" of women. With his friend he moves also to Rome but women still continues to remain part of his fantasies. But Giovanni succeeded to build anyway a fame of "tombeur de femmes". One day he meets the real love of Maria Antonietta and decides to marry. Will things change?
"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.
