Stefanie Dvorak

A short crime movie directed by Christoph Brunner and Stefan Brunner.

7.4/10

Four loosely connected stories tell of the here and now, where human trafficking, the vagaries of people smugglers, violence against women, restrictive immigration laws, gambling addiction, debt and business deals of all kinds are the order of the day.

5.9/10

Hage, the Holy Spirit, is writing a musical, when Jesus returns to earth at Christmas to prepare the apocalypse. To prevent this, Hage tries to convince him that mankind is worth saving with the help of a beautiful striptease dancer.

5.2/10

Marie's father in law dies and leaves the world with his last wish being Marie and her husband to move into his house. Unfortunately Marie's hypochondriac mother in law isn't happy at all with the whole situation...

5.5/10

Think of a really nice person, a friend of yours, someone who could never hurt a fly. Imagine finding out that he is supposed to have killed someone. You're told that he has shot a person in a bar, for no obvious reason. He has already confessed. He says the murder was planned. He expects a life sentence. He even longs for it. He wants to pay for his crime. The psychiatrist cannot see any mental illness. People around him don't think him to be evil. They like him. They want to help him and protect him from himself. And they all ask the same question: Why....?

5.8/10

Deals with the life, work, and tragic death of Johann "Falco" Hölzel. The biopic portrays his work through his early days, as member of the Viennese band "Drahdiwaberl", and later with his own hits as solo artist, like "Der Kommissar", "Wiener Blut", and his worldwide smash-hit "Rock Me Amadeus".

6.8/10

No doubt: the attractive Japanology student Anna and the aspiring architect Max are destined for each other. But her love is under no auspicious star. When Anna receives a one-year scholarship in Japan, she chooses her career and a strong bond. Max is deeply disappointed and tries to forget Anna. Five years later, the two meet again.

4.8/10

"In A MILLION IN DEBT IS NORMAL, SAYS MY GRANDFATHER, Gabriele Mathes traces the consequences of the decline of her father’s furniture factory via her family’s Super-8 footage(..)" (Viennale)