Stéphane Goudet
Clear Skies, Light Breeze, is a 2013 visual essay by Tati expert Stéphane Goudet about the debut of Monsieur Hulot
Documentary analysis of French director Jacques Tati's 1949 film "Jour de fete". Goudet tracks the evolution of Tati’s comedy stylings, from their origins in the short films where he first appeared through his ambitious feature productions.
Stéphane Goudet is all over the Tati box-set as the preeminent Tati scholar, so it is only fitting that he conclude the disc with a half hour lecture that concludes the themes and methods of the filmmaker.
In this 2013 visual essay, Jacques Tati scholar Stéphane Goudet discusses how the filmmaker’s appreciation for the circus, clowns, and mime humor is reflected in PARADE, and analyzes the film’s various comedic acts.
This documentary traces Jacques Tati's rise from the Parisian Music-Hall stage to his Oscar winning films of the 1950s, the documentary then explains how Tati bet all he had on his fourth film 'PlayTime' and how this mammoth film ended prematurely the career of a genius while also giving the world one of the most beautiful films ever made.
An analysis of French director Jacques Tati's 1957 film "Mon oncle" which discusses the stylistic similarities between it and the other Monsieur Hulot films.
A documentary focusing on the architecture in Jacques Tati's 1958 film MON ONCLE.
This short documentary from 2002, written by Jacques Tati scholar Stéphane Goudet and featuring rare archival footage, explores the genesis of the director’s hugely ambitious 1967 film production.
This is a brief bio of the life of Tati through his works. Begins with his silent period, then feature films, and shows many examples from the short films on this disc. For someone with such a limited output of work, his reach and genius was limitless.
