Steve Gadler
Set in 1940's France, a new teacher at a school for disruptive boys gives hope and inspiration.
A Woman of Paris (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.
Two women--one a wealthy society débutante, the other an elegant call girl--with a remarkable resemblance to one another decide to trade professions and social positions temporarily and see what results from it.
Fred, a raffish safe blower, takes refuge in the Paris Metro after being chased by the henchmen of a shady businessman from whom he has just stolen some documents. While hiding out in the back rooms and conduits of the Metro, Fred encounters a subterranean society of eccentric characters and petty criminals.
Enrique Chacon kills Oscar Romero, a Catholic archbishop in San Salvador. The CIA calls a special agent, Malko Linge, a ruined prince who lives with an expensive woman - Countess Alexandra - to get rid of this nuisance of a man. He does, with many encounters with sweet girls, and macho villains. (Written by Artemis-9, IMDb)
Bobby Deerfield, a famous American race car driver on the European circuit, falls in love with the enigmatic Lillian Morelli, who is terminally ill.
Repression is the rule of the day in this film that skewers Greek governance of the 1960s. Z, a leftist rabble rouser, is killed in what appears to be a traffic accident. But given the political climate, the death of such a prominent activist raises troubling questions. Though it's too late to save Z's life, a postmortem examination suggests that the ruling party was behind his death. As the facts leak out, those who tell the truth pay the price for their honesty.
Antonin is a young French soldier who returns home from World War I to recover from his wounds. When he falls in love with a young widow, Antonin questions his role in battle and contemplates desertion as he recalls the horrors of war. He is pressured by his patriotic father to honor his military commitment even if it means he will die.
