Steve Winwood
Hear My Train A Comin’ unveils previously unseen performance footage and home movies taken by Hendrix and drummer Mitch Mitchell while sourcing an extensive archive of photographs, drawings, family letters and more to provide new insight into the musician’s personality and genius. The two-hour film uses Hendrix’s own words to tell his story, illustrated through archival interviews and illuminated with commentary from family, well-known friends and musicians including Paul McCartney, band members Noel Redding, Mitch Mitchell, Billy Cox, long-time sound engineer Eddie Kramer; Steve Winwood, Vernon Reid, Billy Gibbons, Dweezil Zappa and Dave Mason.
Ginger Baker is known for playing in Cream and Blind Faith, but the world's greatest drummer didn’t hit his stride until 1972, when he arrived in Nigeria and discovered Fela Kuti's Afrobeat. After leaving Nigeria, Ginger returned to his pattern of drug-induced self-destruction, and countless groundbreaking musical works, eventually settling in South Africa, where the 73-year-old lives with his young bride and 39 polo ponies. This documentary includes interviews with Eric Clapton, Steve Winwood, Carlos Santana and more. Beware of Mr. Baker! With every smash of the drum is a man smashing his way through life.
Winwood and Clapton crossed musical paths in 1969 with the formation of Blind Faith, a group that pioneered the fusion of rock and blues into tremendous studio and stage success. Despite critical and popular acclaim, the band was short-lived with only one album and a brief 1969 tour that debuted July 12 at Madison Square Garden and ended August 24 in Hawaii. Since then, Winwood and Clapton have remained friends but have only performed together a few times over the years for an occasional song at a charity event. The 2008 Madison Square Garden shows were the first full Winwood-Clapton concerts in almost 40 years.
Originally produced in 1997 as part of the Classic Albums television series, this newly edited, expanded edition features almost 40 minutes of additional content not see in the original feature. Bassist Noel Redding, drummer Mitch Mitchell and co-manager Chas Chandler detailed their contributions while engineer Eddie Kramer re-examined the many multi-track tapes created during the sessions. Help from Jimi's `friends and passengers' came by way of new interviews with drummer Buddy Miles, Jefferson Airplane bassist Jack Casady, Traffic's Dave Mason and Steve Winwood, among others.
Just seven years after wrapping up one of rock's first farewell tours, The Who returned to the stage in 1989 with another first: the classic album show. It was the 20th anniversary of Tommy, which seemed like a good excuse to book a bunch of stadiums and play the album along with a healthy dose of Who classics, aided by a mere 12 other musicians. This is The Who live at the Universal Amphitheater in Los Angeles, 24 August 1989.
Their debut gig was in front of a cool 100,000 people on a warm day in London's Hyde Park on June 7, 1969. This free concert may have lasted just over 45 minutes long, but fans were treated to a selection of timeless tracks by the classic band. This is a unique opportunity to see the world's first super group, featuring Eric Clapton, Steve Winwood, Rick Grech, and Ginger Baker, perform for a very long time.
The Last Great Traffic Jam is a live album and DVD from the rock band Traffic. The album was recorded from the 1994 Traffic reunion concert tour.
As I was marveling at how great Steve Winwood looked for a man who surely must be in his mid-60's, considering that he was fronting The Spencer Davis Group way back in 1963, I quickly remembered that he was only 15 years old at the time. Talk about your musical prodigies. That would make him only 55 at the time of this performance. Although he is probably past his prime by now, his voice sounds better than ever and his Hammond B3 playing remains unparalleled.
Director Mike Figgis (Stormy Monday, Leaving Las Vegas, Time Code) joins musicians such as Van Morrison, Eric Clapton, Jeff Beck, and Tom Jones, performing and talking about the music of the early sixties British invasion that reintroduced the blues sound to America.
Well known performers accompanied by 12,000 selected members of the public on the lawn of Buckingham Palace to celebrate the Queen's Golden Jubilee.
Elwood, the now lone "Blues Brother" finally released from prison, is once again enlisted by Sister Mary Stigmata in her latest crusade to raise funds for a children's hospital. Once again hitting the road to re-unite the band and win the big prize at the New Orleans Battle of the Bands, Elwood is pursued cross-country by the cops, led by Cabel the Curtis' son
Wired For Sound documents the role of the Gibson guitar throughout the evolution of rock music.
In 1986, Billy Joel released the album titled The Bridge on July 29th on Columbia Records. Go behind the scenes with Billy and learn about the songwriting and recording process behind the album.
Over ten years, documentary filmmaker Peter Clifton has recorded performances by some of the biggest names in world pop rock. From 1964 to 1973, groups such as the Rolling Stones, Animals, Cream, Blind Faith, Pink Floyd and Faces passed through London, as well as emblematic singers of that period, some with meteoric trajectory such as Otis Redding and Jimi Hendrix; others, poets of a single era, like Cat Stevens and Donovan, as well as those who would shine brighter a few years later, like Joe Cocker and Tina Turner. You can check it all out on this historic DVD, an indispensable document for anyone who appreciates the purest rock.
The idea for hosting the concert was envisaged by Ronnie Lane, ex-bassist for The Small Faces and The Faces, himself a casualty of multiple sclerosis. The concert was billed as The Ronnie Lane Appeal for ARMS and featured a star-studded line-up of British musicians, including Jimmy Page, Eric Clapton, Jeff Beck, Steve Winwood, Andy Fairweather Low, Bill Wyman, Kenney Jones and Charlie Watts. The concert was particularly notable in the fact that it was the first occasion on which Clapton, Beck and Page, each a former lead guitarist for The Yardbirds, had performed together on stage.
In the Summer of 1971 the Glastonbury legend was born when the organisers decided to try and create a festival that would be a forerunner for an 'alternative and utopian society'. The festival encompassed Midsummer's Day, and in true medieval tradition, the area of Worthy Farm, Pilton was given over to music, dance, poetry, theatre, spontaneous entertainment and nudity.
Traffic left behind precious few concert videos in any form, so this show, from the Santa Monica Civic Auditorium, is an intrinsically valuable document of the band, even though it does feature a later lineup: Steve Winwood, Jim Capaldi, Chris Wood, Rebop Kwakubaah, Roger Hawkins, and David Hood. Chronologically, the show comes roughly a year later than the Welcome to the Canteen album. There are some many wonderful shots of the band members from varied angles and all kinds of different lighting, even within the same song, courtesy of video producer Taylor Hackford (White Nights, Against All Odds) but, in fact, this wasn't the ideal version of the group to capture on stage: Winwood had suffered a serious illness the year before, the group was always in a state of flux as far as its line-up was concerned, and they were entering the period of decline that would coincide with the recording of Shootout at the Fantasy Factory.
Midsummer Rock is a television program based on the Cincinnati Pop Festival. The 90-minute TV version featured Alice Cooper, Mountain, Grand Funk Railroad, The Stooges, and Traffic.
The plot revolves around two heirs, Prince Frederick (Barry Gibb) and his brother Prince Marmaduke (Maurice Gibb), and their dying father (Frankie Howerd). On his death bed, The King orders his kingdom divided into two halves, the Kingdom of Jelly and the Kingdom of Cucumbers. Before the king even dies, Prince Frederick declares himself "King of Cucumbers" and Prince Marmaduke becomes the “King of Jelly”. The film intersperses comedy sketches with Bee Gees songs plus performances by Lulu and Blind Faith with cameo appearances.
Unbeknownst to the Spencer Davis Group, their manager is upper class, grew up in a haunted manor, and is called Algernon. When they visit his home, they find out that the family is broke, they don't have the money to pay the servants, and their home is going to ruin. Spencer suggests that they advertise the home (and the ghost) and charge admission.
