Suliane Brahim
For twenty years, Bruno and Malik have lived in a different world—the world of autistic children and teens. In charge of two separate nonprofit organizations (The Hatch & The Shelter), they train young people from underprivileged areas to be caregivers for extreme cases that have been refused by all other institutions. It’s an exceptional partnership, outside of traditional settings, for some quite extraordinary characters.
In the small bordertown of Villefranche, lost in the heart of a large forest, crime rate is six times higher than elsewhere in the area. Each new crime Major Laurène Weiss solves with the help of her unusual team makes her sink deeper and deeper into secrets of the area.
Woman hero Dom Juan lives a life full of excesses and love affairs. When he seduces the nun Elvire, but shows no interest in her a short time later, he gets to deal with her vengeful brothers. Dom Juan and his assistant Sganarelle have to flee and set out on a journey full of strange encounters.
Sebastian has one ambition in life: to do nothing. His horizon is his couch. His life he does not want to live but contemplate. But today, if you do nothing - You are nothing. So driven by his two roommates, that chain internships and odd jobs, decided to Anna and not quite decided Bruno, Sebastien will have to - A little.
Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.
Two couples, Chris Bailey and Judith Lazard, along with Paul Adler and Albertine Langlois, meet for dinner on the 9th of July 2006, the night of the Football World Cup Final between France and Italy. Their conversations wander from intimate subjects to substantial political comments in such an intricate manner that their personal lives and their perception of the ideological struggle, the battle for the leadership of the french left, are more and more difficult to differenciate. For six years, their political attitudes evolve with the changing image of themselves and each other.
In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)
