Susan Engel
The Almeida Theatre makes its live screening debut with an explosive new adaptation of Richard III, directed by Almeida Artistic Director Rupert Goold with Ralph Fiennes as Shakespeare’s most notorious villain and Vanessa Redgrave as Queen Margaret. War-torn England is reeling after years of bitter conflict. King Edward is ailing, and as political unrest begins to stir once more, Edward’s brother Richard – vicious in war, despised in peacetime – awaits the opportunity to seize his brother’s crown. Through the malevolent Richard, Shakespeare examines the all-consuming nature of the desire for power amid a society riddled by conflict. Olivier-winning director Rupert Goold’s (Macbeth, King Charles III) searing new production hones a microscopic focus on the mythology surrounding a monarch whose machinations are inextricably woven into the fabric of British history.
After breaking-up with his girlfriend Veronica, the unemployed John Hare rents a cheap room in an old boarding house owned by the nice Martin Stone and the landlord tells him that the house is crowded by discreet persons. John does not see any other tenant but a bizarre old woman in the house and during the nights, he sees weird things on his television and hears violent knocks on his door. When John calls Veronica, she notes that he is near a breakdown after many sleepless nights and decides to stay with him. However, Veronica vanishes during the night, leading John to an ultimate decision.
A masterly study of a middle-aged woman waking up after 30 years passed in a coma induced by sleeping sickness. In her mind she is still 16, and her attempts to fathom the changed world into which she re-emerges is not only poignant and emotionally charged but, in the end, devastatingly brilliant theatre as well.
Ascendancy is a 1983 British film. It tells the story of a woman who is a member of the British landowning 'Ascendancy' in Ireland during World War I. Gradually, she learns about the Irish independence movement, and becomes involved with it.
Searching for the third segment to the Key to Time brings the Doctor and Romana to present-day Earth, where the travellers have to contend with stone circles, Druidic rituals and a not-so-mythical goddess known as the Cailleach.
Three lucky pine trees, with human faces, are cut down in order to enjoy the holidays with human families.
Butley is set in Queen Mary’s College, London and focuses on two English instructors, Ben Butley, a middle-aged former T. S. Eliot expert whose life is now in a shambles, and his protégé, Joey, a homosexual. With both Joey and his wife leaving, Butley faces a life alone, fighting back with wit, obscenity and booze.
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.
Charlie Bubbles, a writer, up from the working class of Manchester, England, who, in the course of becoming prematurely rich and famous, has mislaid a writer's basic tool – the capacity to feel and to respond. Now he must visit his estranged wife and son, whom he has set up on a farm outside his native city. His journey accidentally becomes an attempt to reestablish his connections with life, people, and his own history.
Detective Inspector Jacques Clouseau is borrowed from the Surete on special assignment for Scotland Yard in hopes that a fresh outlook will help the government recover the loot from the Great Train Robbery, which is being used to underwrite a new crime wave. What they don't count on, however, is having more than one Clouseau on the job.
A 1965 BBC adaptation of William Shakespeare's first historical tetralogy (1 Henry VI, 2 Henry VI, 3 Henry VI and Richard III), which deals with the conflict between the House of Lancaster and the House of York over the throne of England, a conflict known as the Wars of the Roses. It was based on the 1963 theatre adaptation by John Barton, and directed by Peter Hall for the Royal Shakespeare Company.
