Susan Norman
Carol, a typical upper middle-class housewife, begins to complain of vague symptoms of illness. She "doesn't feel right," has unexplained headaches, congestion, a dry cough, nosebleeds, vomiting, and trouble breathing. Her family doctor treats her concerns dismissively and suggests a psychiatrist. Eventually, an allergist tells her that she has Environmental Illness.
Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what Richie was like and what led up to the shooting. In the black and white "Horror," a scientist isolates the elixir of human sexuality, drinks it, and becomes a festering, contagious murderer; a female colleague who loves him tries to help, to her peril. In "Homo," a prisoner in Fontenal prison is drawn to an inmate whom he knew some years before, at Baton juvenile institute, and whose humiliations he witnessed. This story is told in dim light, except for the bright flashbacks.
In the future, guns are banned and criminals are frozen for the duration of their sentences. A recent spate of killings involving handguns brings Michael Knight back to fight for justice, but he insists of the help of KITT, his artificially-intelligent car from decades ago. The only problem is that KITT has been deactivated.
This bizarre parody of the animated religious children’s show Davey and Goliath uses actors but looks like Claymation because of the stop motion, distorted voices, giant prosthetic ears and hair and sets that make Pee-Wee’s Playhouse look realistic. Davey’s father whips him with a belt for saying that he saw a bear, though he really did see a bear, while his sister looks on in glee. His dog Goliath, actually a leopard-skin footrest with a grotesque tail, tries to help but gets whipped too. Oedipal dream sequences and Davey’s revenge are also highlights in this unforgettable and darkly hilarious suburban nightmare.
