Susana Mayo
Huon Johnson is hired to be a member of the Cartagena Vice team, which is in charge of keeping peace and safety in the popular Cartagena Vice resort and chasing any criminals that may lurk it. He will team up with Autogol, a thin and clumsy man, to solve all kind of crimes.
After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.
On November 20, 1978 a truck driver picks up a man on the road, that tells him to take him to Pardo's Palace. Soon, the truck driver begins to realize who this person is.
Working-class dude grows up surrounded with petty delinquency and ghetto temptations; he marries a rich girl and faces the disapproval of her parents. Then the young couple plans a crime...
A lieutenant and four others are having a little party before entering combat. Ensign has his girlfriend in a village occupied by the enemy, so it is essential a rescue mission
A killer is cleaning up the streets of Milan by murdering those considered as deviant. An ornamental dragonfly, soaked in the blood of the victim, is left on each body.
A seminarian hesitates between serving God in Africa or opting for worldly life.
The Valet (Manuel Rosón) enters a hotel room with Joseph Garcin (Morgan Sterne) in tow. The windowless room has a single entrance and no mirrors. Two women, Inès Serrano (Viveca Lindfors) and Estelle Rigault (Rita Gam), are then led in; afterwards, the Valet leaves and locks the door. Realising that they are in hell, the trio expects to be tortured; however, no torturer is forthcoming. While waiting, they strike up a conversation and discuss each other's sins, desires, and unpleasant memories. Adaptation of the play by Jean-Paul Sartre.
The moral conflicts of a conservative politician, his wife and a bully, in the Buenos Aires of the early twentieth century.
