Susú Pecoraro
In 1976, a coup d'etat by the Armed Forces replaced the argentine constitutional Government and policies of terror that trampled on human rights were implemented. In a few years, the hidden and silent violence of these policies spiraled and 30,000 citizens of different ages and social conditions were murdered. They were wrongly called the disappeared and, among them, there were young children or unborn young who were delivered in prisons of the military dictatorship and whose kidnappers abducted and registered as their own children. This movie tells the story of Estela Barnes Carlotto, a human rights activist in Argentina, chairwoman of the Association of Grandmothers of the Plaza de Mayo, who stopped being a housewife to get involved in public affairs after the kidnap of her daughter, Laura Estela Carlotto in 1977. The film is about the way her life was transformed.
Lasting tradition clashes with new ideas in director Ariel Winograd's tale of a mischievous pre-adolescent whose family spends their summers basking in the comfortable surroundings of a picturesque Jewish country club. Ariel is a young boy whose family enjoys the high life. When summer rolls around his mother leads an Israeli dance class at the local Jewish country club, and his grandmother seems to have a special knack for always winning at rummy. His sister Natalia is rarely seen without roller skates lest she need to beat a hasty retreat from her overbearing suitor, and his brother David's hormones are raging like a white squall. As Ariel and his friends hop on their bikes and explore the grounds of the country club it feels as if life simply couldn't get any better, but sometimes life in this highly exclusive paradise isn't all it's cracked up to be.
In this Cuban-Argentine film, Argentine 40-year-old Laura (Susu Pecoraro), visiting Cuba for the first time on business, is divorcing her husband back in Buenos Aires. She's soon involved with smooth-talking cab driver Frank (Jorge Perugorria). Garment manufacturer Francisco (Ulises Dumont), having lost his wife, children, and home, has traveled to Cuba to kill himself, but Frank's mother (Veronica Lynn) realizes that Francisco is the teenage lover who got her pregnant. In other relationships, a gay couple (Luis Alberto Garcia and Humberto Paez) argue over whether or not to remain in the closet, and two documentary filmmakers (Jorge Martinez and Laura de la Uz) have career conflicts.
On the way to his exile in Lisbon, Mario meets Silvia, a widow who turns out to be one of his admirers. Silvia has inherited a fortune, leading Mario to resume his career, eventually falling for him. Although Mario has relations with her, he makes it clear that will never fall in love. In Madrid, Juan Pepita and resume their relationship, and because of this the jilted Nena John Colman murders before Pepita, after being arrested. Pepita accepts a contract in Argentina, reunited with Mario. There he meets Tulio, who after starting a relationship with singer eventually ask marriage.
A woman and a man known through a radio program dedicated to unite in their lone pairs listeners.
After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.
The abuse endured by an indomitable prostitute does not kill her spirit in this drama based on short stories by Bernardo Kordon. Luisa (Susu Pecoraro) and her older sister Herminda (Ana Maria Picchio) are streetwalkers in Buenos Aires, but very different in their attitudes. Where Herminda is blithely frank about her job, Luisa is not as casual. On a trip home to bring her mother and little brother to the city (to help care for Herminda's baby), Luisa is viciously gang-raped by her former boyfriend and his cohorts -- but she endures. She eventually gets a job in a massage parlor but is fired when she nixes a client -- and she still endures, back on the streets again. Her sister scorns her, her new boyfriend dumps her, a dear friend is murdered -- yet Luisa never gives in to despair. Popular at the Argentine wickets, this drama has much going for it -- in particular a woman who is a victim but denies it with no problem at all.
In Buenos Aires of the 1840s, a young Jesuit and a wealthy socialite fall in love and begin a torrid affair. They escape from the city, and, in disguise, set up house in a village, assuming they are safe and beyond the cares of anyone. However, both the church and Camila's family are enraged, vowing to hunt down the lovers for a capital crime. Based on a true story.
Story of a typical working class family living in suburban Buenos Aires during early 1980's. Luis (Federico Luppi) is a righteous man who begins a struggle and a moral debate with the rest of the family, his close friend Vicente (Julio de Grazia) and other neighbors when a corrupt municipal official offers an "arrangement" for extending them a water line that would solve many long time needs.
Documentary about Argentina's victory in the 1978 FIFA World Cup, held in that country and in which important personalities in world football and culture involved.
Mujeres de nadie (Nobody's Women) is an Argentine telenovela produced by Pol-ka and broadcast by El Trece from May 10, 2007, to November 17, 2008
