Suzanne Bianchetti
Paris, France, 1784. After living many tribulations, Joseph Balsamo, known as Count Cagliostro, an infamous adventurer, enigmatic magician and necromancer, experienced physician and ruthless swordsman, triumphs among the members of the decadent French aristocracy. But a bold foretelling about a very prominent noblewoman causes his fall in disgrace… (Partially lost film.)
Republic of Venice, 1760. Pursued by a vengeful husband, the intrepid womanizer Casanova, who symbolizes the decline of the city and its fall into debauchery, manages to escape and, by a circuitous route, arrives in Saint Petersburg, where he will be involved in the many plots that threaten the throne of Czar Peter III…
A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film's legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
Following a 19th-century play penned by Benjamin Antier, the figure of Robert Macaire, bandit and rogue, enjoyed popularity in several contexts. One of the most detailed treatments may be found in Epstein’s LES AVENTURES DE ROBERT MACAIRE, which he executed in five interrelated episodes.
This historical melodrama (later remade by Henry Roussel himself in 1932 and Richard Pottier in 1952) set during the reign of Napoleon III of France. Here, Raquel Meller plays a Spanish flower girl who saves the life of the French empress Eugenie de Montijo (played by Suzanne Blanchetti), by taking her place in her carriage. When the carriage is overthrown by the anarchist's bomb, the girl survives because of the masses of violets in the imperial carriage, the empress' favorite flowers.
Based on the short story by Nodier and the play by Maeterlinck.
August 1914: wife and mother, woman's first sacrifice is to see her beloved depart for the front. In a city, she works in railway stations,as a waitress or even as a chimney sweep. At the factory, she only interrupts her work to feed her baby. At the country she does the plowing or picks olives. But above all a wife, she brings the soldier "fraternity and tenderness", parcels, love notes and care. She brings flowers to the dead's tombs, and remains ever present in the soldier's heart.
