Sylvia Chang

The background of "Her Story" is set in 2020: a sudden disaster that disrupted everyone's lives. When society face unemployment when families fall apart, when lovers are separated, when death is approaching quietly, and when a peaceful life suddenly undergoes unexpected changes, how will women respond? What are the vital and irreplaceable roles that men play in women’s lives and growth? The three female directors Zhang Aijia, Li Shaohong and Chen Chong used their unique female perspectives to explore and show people's plights and struggles in family, career, and love in special times.

Where is home? For a group of Chinese students studying and working in Tokyo, it might be the Nankokute restaurant whose manager has been in Japan for years without ever managing to obtain a residence permit. The cook left his family in China and hasn't yet managed to have them brought over to join him and one waiter's father is sick while the other's is a violent alcoholic. An engaging fresco of everyday life with touching moments and an authentic, natural atmosphere.

A woman seeking a quiet life in post-World War II British Malaya finds love and a common interest in gardening with a mysterious Japanese man.

Set in Hong Kong in 1967 — a time of complex politics when it was still a British colony — No. 7 Cherry Lane revolves around a love triangle between a university student, a single mother and her teenage daughter.

Fisherman Ah-Hai is found dead from self-immolation during a large-scale protest against TL Petrochemical. The incident instantly makes media headlines; Ah-Hai is hailed as a martyr. Medical examiner Chou is assigned to the case with public prosecutor Kim, his ex-fiancée. When the two discover evidence of murder and a major conspiracy, Chou breaks protocol to conduct his own investigation in order to protect Kim. As the truth is gradually revealed, the case and their past start to intertwine...

A mother intends to relocate Grandpa’s grave from the countryside to the city, where he could be re-buried with Grandma. However, her decision sparks a conflict with Nana, Grandpa’s first wife. Nana is childless, and all she has is her husband’s grave. As a result, she fights flat out to stop Mother moving the grave. At first, Weiwei, caught between her mother and Nana, is turning the fight over the grave into a story on television, but after having spent time with Nana, she learns a new understanding of life. In the end, these three women of different generations, each facing her own problems in her love life, follow their hearts and make their decisions, which result in an unexpected ending to the incident.

In 2013, the Golden Horse Film Festival celebrated its 50th anniversary. The ministry of Culture commissioned director Yang Li-chou to make a documentary about the history of Golden Horse. What is unique to this film is that it's not an ode to celebrities but about the role cinema plays in ordinary people's lives. It's a love letter to cinema, filmmakers and audiences.

A takedown of capitalist corruption and greed that's savvily packaged as a song-and-dance extravaganza.

Not Louis Malle's classic but the latest from director Sylvia Chang who, after years of absence from the helm, digs deep into her Taiwanese roots to tell a story about growing up, and letting go. Isabella Leong plays an uncertain painter, Mei, who drifted apart from her tour guide brother after leaving Liudau, the off-shore island of Taiwan, with their mother. Mei falls for an underachieving boxer, and begins years of soul searching in the city, where the siblings reunite under unexpected circumstances. What was remembered and forgotten are lessons that have profound consequences in this emotional drama.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

“The age of dejection.” This is how Director Lee Chatametikool remembers Thailand in 1997. Concrete Cloud is a film that tells us about the young men who survived an era of financial crisis. Mutt, who is working as a stockbroker in the United States, must suddenly return home when his father commits suicide. After the funeral, he runs into his old girlfriend, Sai. Meanwhile his younger brother Nic falls in love with Poupee, a schoolmate and neighbor. None of the relationships come easy, however. Each is harboring a secret and there is a big gap between dreams and reality. What links them together are memories—but memories alone cannot hold their relationships together in the face of harsh realities. As the characters in the film remember their pasts, the director ruminates on his own recollections of 1997, hence the scenes reminiscent of a ’90s music video. Overall, this film is really about time.

10+10 is a project initiated by the Taipei Golden Horse Film Festival to demonstrate the solidarity between Taiwanese film-makers. 20 directors are invited to make a 5-minute short film each on the theme of the “Uniqueness of Taiwan,” but allowed total freedom in all other aspects.

Ding Bo (Chen Po Lin) and his friends Nan Feng (Fan Bingbing) and Fei Zao aka Fatso (Fei Long) are a trio of 20-something outsiders who have no intention of sitting exams and getting into universities. When they need a new home, they answer an ad placed by lonely, retired Chinese opera singer Chang Yue Qin (Sylvia Chang), who is mourning the death of her son, and move into her sprawling Chengdu apartment. Right off the bat, the four clash over lifestyle and values, with the bratty trio seeing fit to steal from her and invade her privacy. However, slowly but surely a bond among them develops and everyone eventually learns something from the next.

Run Papa Run is a 2008 Hong Kong comedy-drama film directed and co-written by Sylvia Chang, and based on a novel by Benny Li. It was produced by JCE Movies Limited, with Jackie Chan serving as an executive producer. Featuring an ensemble cast, the film stars Louis Koo as Lee Tin-Yun, a Triad boss who struggles to hide his criminal lifestyle when he is faced with raising his daughter.

The Go Master is a 2006 biopic by director Tian Zhuangzhuang of renowned twentieth century Go master Wu Qingyuan, better known by his adopted name of Go Seigen. The film, which premiered at the 44th New York Film Festival, focuses on the life of this extraordinary player from his meteoric rise as a child prodigy to fame and fortune as a revolutionary strategic thinker, as well as the tumultuous global conflicts between his homeland and his adopted nation. The film also features a scene involving the Atomic bomb go game.

Wise, reflective and bittersweet, director/actor Sylvia Chang's Taipei-set triptych weaves through the lives of a 40-year-old divorcée (Chang), a thirtysomething flight attendant (Rene Liu) and an aspiring pop singer (Angelica Lee). Co-written by the three principals, the script's meditations on love, friendship and life choices are as thoughtful and intriguing as the performances are unforced.

Fearing her son could be gay, a conservative mother takes in a French foreign exchange student, who ends up teaching the family a lot about life, acceptance, and love.

Richly illustrated with film clips and interviews, OUR TIME, OUR STORY tells the still-evolving story of the Taiwanese "new wave," from its rise in the early 1980s, as the island was democratizing after decades under martial law, through growing international recognition and domestic debate in the 1990s. Spearheaded in its early years by such filmmakers as Edward Yang, Ko I-cheng, Hou Hsiao-hsien and Wan Jen, the movement revitalized Taiwan cinema through low-budget experiments that emphasized personal stories, political reflection and stylistic invention. Said filmmakers, writers and actors like Wu Nien-jen and Sylvia Chang, even "second wave" directors Tsai Ming-liang and Lin Cheng-sheng provide fond reminiscences and retrospective insights in this compelling account of one of the most distinctive national cinemas of the last quarter-century.

review by LoveHkFilm.com: Joker (Daniel Wu) is a computer programmer working on a 3-D adventure game starring a virtual idol. Stuck for inspiration, he ends up finding it in Ling (Angelica Lee Sum-Kit AKA: Sinjie), a bartender at a dance club. While in a drug-induced stupor, Joker imagines Ling to be the perfect image of his virtual girl. He's immediately smitten, but more important, he now has a model for his virtual heroine: Princess D.

Based on a true story, Xiao Fu was contracted HIV virus through blood transmission due to hemophilia. He made his difference by writing a book before his death to change the public's view toward patients with HIV.

A female director decides to make a autobiographical film on her love life and we see it through the use of flashbacks and brilliant intercutting.

A young man falls in love with a ghost and must avoid a variety of ghostbusters out to eliminate her and each other.

A Taiwanese comedy set in Lower Manhattan which chronicles the travails of two Taiwanese illegal aliens as they try to get a green card. The woman, Siao-yu, works as a sweatshop seamstress while her lover, Jiang Wei, is a student who works in a fish market. They meet an Italian-American, Mario, who has racked up a large gambling debt. They agree to give him the $10,000 he needs if he will only marry Siao-yu and get her a green card.

A woman stops waiting for her med student boyfriend and marries a rich man so she can pay her grandmother's medical bills.

Three directors deliver three stories about the love of in the modern world.

Unable to make it as a commercial success because he staunchly refuses to sell out, a struggling Hong Kong musician rediscovers his love of music and regains an interest in his life's meaning through his relationship with a dying girl.

A German documentary on Hong Kong cinema.

Ma Lei which sounds like "Mary" is a Chinese citizen, living in Hong Kong as the kept woman of a jeweler. She wishes for two things: to get her Hong Kong Identity Card, which will enable her to get work as a legal immigrant; and to marry her boyfriend.

Two inventors encounter a friendly little ghost, and stumble onto a plot to capture the ghost's uncle who was responsible for his untimely death. However, the inventors are warned by a spiritual master that humans and ghosts cannot co-exist in the same room at the same time. Doing so would cause a drainage of humans' life force.

Developer Tsang Siu-Chi (Eric Tsang) and his agent (Jacky Cheung) have bought two of a group of four properties. Rival developer, Boss Hung (Sammo Hung) has secured the other two properties. Both aim to buy all four so they can knock them down and build hotels.

The first movie to be rated Category III. A story about the adventures of two rebellious teenage buddies and their fathers' struggle to keep them on the right path.

Two sisters seek diversion after repeat disappointments with men.

Lam Bo Sun, the richest man in Hong Kong, is expected to marry the ditziest of socialites in a matter of weeks. On a whim, he leaves everything behind and gets a job as a lowly busboy at a noodle restaurant, and finds the girl of his dreams.

Queen of Temple Street is a 1990 Hong Kong film directed by Lawrence Ah Mon. It has a Category III rating in Hong Kong.

Three Chinese women with vastly different backgrounds get acquainted and become friends amid the social desolation of New York.

Chow Yun-fat plays Ah-Long, a father living a low-class lifestyle, while trying to raise his son, Porky (Wong Kwan Yuen). The strong bond between father and son is tested when a chance encounter from Ah-Long's ex-girlfriend (Sylvia Chang) changes the course of their lives.

Mabel Cheung's followup to An Autumn's Tale is a bittersweet comedy about the joys and sorrows of a homecoming.

A witty and thoroughly engaging send-up of both the fast food business and the cut-throat techniques often employed by conglomerates to crush independent competition.

Self-styled ladies man Richard Ng gets depressed when all those around him are finding love while he remains single.

A brothel disguised as a teahouse is staffed with old ladies long past their prime. However, things begin to change and become chaotic when the owner takes in a young girl.

Just married Hong Kong couple Chen & Lily emigrate to England, soon to become parents to a little baby boy and generally struggle through life. Chen works long days in a restaurant, while Lily does the housekeeping, daydreaming of setting up their own business, much to Chen's chagrin. When Chen lets his colleague Fok seduce him down a path of mounting gambling debts, he is recruited as a drug courier for a shadowy Chinese triad. Suddenly he realizes that getting their own enterprise could be their only means of escape.

The whole story revolves around a woman from marriage, marriage to divorce encounter sexual problems as the main axis, reflecting the Taiwan society in this regard subjective and objective taboos. The first paragraph of the description of the actress Xiao Xiaomin arranged with the parents of the scholar if strong engagement after the agreement with the high school students often travel, and finally cancel the engagement. The second paragraph to write her marriage in order to fight for a wounded into her young Wu Dawei testify to her husband's misunderstanding, but also the end of the divorce. The third paragraph to write her commitment to kindergarten education work to recognize the disabled young boy odd, she did not dare to face the problem of love, but the other's cheerful outlook touched her.

An introverted businessman who doesn't get out much, Willie Ng (Raymond Wong) recently celebrated his seventh anniversary, but his marriage seems to be hitting a slump. His wife (Sylvia Chang) is a Cantonese opera aficionado who often complains that her husband is boring and doesn't appreciate the arts. Willie himself is also eager for some action to break the monotony. When he goes to Singapore on a business trip, he encounters cute pickpocket Siu Hung (Nina Li) at the airport, triggering off a series of events that puts his marriage in jeopardy.

Sylvia and Cora Miao play two widowed mothers, best friends and confidants who spend their days reminiscing about times past. Over the course of a lazy weekend afternoon, the two women conjure memories of Cora's husband, his life, his death, and his passionate affair with Sylvia. A series of wistful flashbacks reveal the sometimes touching, sometimes painful circumstances around the women's deep friendship with one another, and their love for the same man.

Set in the then Portuguese colony of Macau, IMMORTAL STORY depicts the story of the love affair between a small time chanteuse and her Japanese beau. They met when both were young and pretty and again many years later when he had became a drug addict and she a fallen woman.

Baldy and King Kong shuttle between New Zealand and Hong Kong to recover a hi-tech prism that can impart superhuman powers.

Hung is a street-wise smart aleck and Mak is his dumb sidekick. They are partners, mostly in unlawful jobs. One night, the two are spotted by Zaza in the middle of a heist. Consequently, they go to jail. Hung hates Zaza for this. In prison they are befriended by old timer Hui. The three run afoul of boss Orca and try to avoid Orca by insulting chief warden Ko. They are brought before correction officer who is none other than Zaza. Hung hates Zaza more.

Bi Bao-Liang is a 29 year-old man who believes that he will have bad luck if he touches a woman before he turns thirty. Liu Xiang-mei is a beautiful woman who had a love affair with her married boss, and now she is pregnant. In order to give her child a family name, she decides to find a man to have a one-year marriage contract. Bi Bao-Liang is the perfect man she is looking for because he is afraid of women. However, their marriage does not follow what they've planned...

A master thief is duped by lookalikes for James Bond and the Queen of England into stealing a valuable gem from a heavily guarded location then must help the police recover it.

A touching story about a strong-willed woman who endures much pain and suffering in caring for her feeble husband and new born child. Her gallant efforts are not only shunned upon by her husband, they are left unappreciated.

In 1937 Shanghai, a soon-to-depart soldier meets a young woman under a bridge during a Japanese air raid. They vow to meet after the war ends, but they don't know each other's name or face. Ten years later, the young woman, a nightclub singer, takes in a naive girl fresh from the country. The country girl falls in love with the would-be song-writer upstairs who, unbeknownst to the singer, is none other than the soldier from the bridge.

Two friends who haven't seen each other for thirteen years reunite. One is a successful concert pianist just back from a European tour and the other has just started a new business.

Taiwanese comedy.

An assassin called Filthy Harry is hired by a shady figure and charged with killing the heroes. The men are framed twice for different robberies by King Kong's new girlfriend, nearly committed to a mental hospital by their devious boss, and forced to battle Filthy Harry's weaponry-laden robot while covered with time bombs.

Two sisters are part of a cabaret act that is rapidly declining in attendance, and although the older sisteris constantly trying to push her younger sister to the forefront in a solo act, the younger sibling is less than enthusiastic. She sees little future in show business, whether in the chorus line or up front -- and so when her older sister finally pulls off a deal for the two to go to Taipei and possibly make some "real money," the younger sister must say yes or no, and either way, one of the two will not be happy.

A happily married graphic designer discovers his wife's adultery with a man who dresses up in woman's white fish-net stockings. He is shocked into killing them and starts on a rampage murder. He looms at night under the disguise of a woman with an urge to kill whenever he sees a woman wearing white fish-net stockings. After killing several innocent victims, he zeroes in on a female disc jockey who hosts a midnight to dawn radio show.

Tim Burstall directs then-up-and-comers Mel Gibson and Sam Neill in this action-packed Cannes Film Festival selection about the grim realities of World War II, a gritty drama based on actual events. Sent to rescue survivors from the site of a plane crash in the South Pacific, Capt. P.G. Kelly (Gibson) and his elite squad of Australian commandos must keep tabs on a defecting Japanese official who could hold the secret to peace.

King Kong, a clever thief who steals a cache of diamonds from some gangsters, frames another thief called White Glove for the crime. That's when the bald detective Albert Au, who has been chasing King Kong for quite some time, pairs with the volatile female Superintendent Ho to bring him to justice. King Kong ends up joining the good guys to defeat White Glove and another bad guy dubbed Mad Max, and recover the diamonds from the hiding place where they were left by King Kong's dead accomplice.

Made one year before the better-known omnibus film The Sandwich Man, In Our Time is the work that first announced the coming of the New Taiwan Cinema. Consisting of four segments, each set in different decades from the 1950s through the 1980s, and dealing with protagonists at different stages of life between childhood and young adulthood. Yang’s made his cinematic debut with the second segment, “Expectations,” the story of an adolescent girl in the 1960s whose life is given a jolt by the arrival of a slightly older male student as a lodger in her house. Taken as a whole, In Our Time announces the ambition of the New Taiwan Cinema: to eschew studio-bound escapism and melodrama in favor of a hard-hitting cinema grounded in everyday life. (Harvard Film Archive)

It Takes Two is a 1982 Hong Kong comedy film directed by Karl Maka and starring Dean Shek and Richard Ng.

After suffering a breakdown at his wife’s funeral, a grief-stricken older man finds that he can only recognize his daughter-in-law. The discovery of a new love seems to improve his faltering health, but more heartbreak awaits just around the corner.

The tale of a country girl who comes to Taipei with dreams of entering the entertainment industry. A 2-part TV movie and part of groundbreaking series "Eleven Women," this is Edward Yang's directorial debut.

A comedy about the advertisement business, set in modern Taiwan.

Taiwanese huangmei opera starring Ivy Ling Po.

A real murder case which was complicated by the ménage à trois relationship the victim had with the main suspects. As different witnesses narrated their conflicting stories, the case seemed set to lead to nowhere; especially when the real identity of the dead person was finally discovered.

Carefree days, youth and summertime. It is on a day like that when Hsin-lun meets Wendy and Johnny meets Bessie. Love blossoms. Hsin-lun and Wendy are married but Bessie is jilted by Johnny. After college, Hsin-lun joins a construction company. He is unhappy, what with the company's corrupt ways and a domineering manager. On the point of resigning, he learns of a traffic accident in which Wendy and his brother are injured. Wendy has a miscarriage. The need for money changes Hsin-lun completely. He becomes part of a gang...

Li Han-Hsiang's adaptation of the classic Qing Dynasty novel will take viewers to the heightened pleasures of love and the despairing depths of betrayal. Timeless beauty Brigitte Lin Ching-hsia appears as Chia Pao-yu in her first attempt at a gender-bending role, an art she will wield complete mastery over in later films. Pao-yu is in love with his cousin, Lin Tai-yu (Sylvia Chang), but his family has other marital plans for him that will leave both broken-hearted.

Mitra was the first Hong Kong film to be made in Iran and the last of Lung Kong’s directorial works to be released theatrically. Made in an act of courage and of opportunism with a small crew on the occasion of the director’s sojourn to the Tehran International Film Festival to premiere Hiroshima 28, the film tells a love story set upon the expansive desert backdrops of the Middle East.

A Pirate of Love is a taiwanese Romance starring Charlie Chin and Sylvia Chang

A popular singer named Ah Hui is approached by gangsters who want him to perform at their nightclub. When Ah Hui rejects, they set him up by making him believe he murdered an innocent man; Of course, Ah Hui falls for it. With nowhere to turn and the fear of being sent to jail, Ah Hui accepts help from the gangsters. In return he has to sign an exclusive singing contract with them. Little does Ah Hui know, they have other sleazy plans in store for him.

A talented woman painter falls in love with a gallery owner, who is married. His son falls in love with her niece at first sight. The painter gets along well with the gallery owner's grown son and daughter. In order to keep their family united, his son and daughter ask her to withdraw from her love relationship, and she promises to do so to save the gallery owner's marriage.

Victory is a 1976 Taiwanese war film directed by Liu Chia-chang, set in the Second Sino-Japanese War. The film won 5 awards at the 1976 Golden Horse Film Festival and Awards, including Best Feature Film.

The film is based on the true story of a regiment of nationalist troop fighting Japanese forces several times of their strength. Due to the political reasons, such historical topic is avoided in China, and even after the reform, the cautious approach needs outside help from Hong Kong, but such attempts still deserves a great salute.

Hong Kong Superman is a Hong Kong Martial Arts movie starring Sammo Hung.

Ever the pair of do-gooding drifters, Embroidered Pillow and Chili Boy always come to the aid of Hong Kong's downtrodden and oppressed - even if it means traveling all the way to America! This time the two friends are off to San Francisco's Chinatown in search of a millionaire's missing daughter (Sylvia Chang, who also appears in Slaughter in San Francisco), who has vanished under shady circumstances. Typical Backalley Princess shtick ensues, including the duo's disastrous stint waiting tables in a Chinese restaurant and run-ins with the local street gangs. But just when things are looking hopeless, Sam and Polly find the lead they need, and the chase is on!

A Chinese-American cop, skilled in martial arts, battles the most powerful criminal gang in San Francisco that is responsible for the death of his partner.

Written and directed by Lo Wei for Golden Harvest, this feature stars Wang Yu as a guy known only as The Dragon – he’s got super sharp hearing! He’s also kind of a mysterious tough guy who wanders into a small town where the fine upstanding populace has a recurring problem with some gangsters who have decided to setup a casino in the area. Once the townsfolk start losing all of their money, and then all of their other belongings, and then even their homes it becomes obvious that there’s a scam going on here.

A jobless university graduate joins a Hell's Angels motorcycle gang to discover that they are in fact controlled by a narcotic smuggler.

On a dark night, Xueming hits a pedestrian with his car and flees the scene. Desperate to escape his feelings of guilt, he decides to approach the dead man’s wife, Mrs Liang. Meanwhile, the body is discovered – riddled with bullets. Chen, the detective in charge of the investigation, becomes obsessed with the case. Years later, all three remain caught in a tangled web of memories and lies, desperately searching for a truth that refuses to be revealed…

Accomplishing her late husband's wish of remaining a mysterious neon sign, a depressed middle-aged widow and the neon signmaker's protégé discover surprises and bitterness amidst the city's vanishing glow.