Sylvio Gonçalves
Barbara (Larissa Manoela) and Talia (Thati Lopes) decide to exchange in the US. They have no idea of the obstacles and cultural shock. Barbara who always dreamed of visiting NY discovers they'll be living in the Town of Woodstock, NY. Two hours north of New York City. Accustomed to the comforts of her mother's home. Barbara now has to get accustomed to doing household chores and act as a nanny for her sponsor, a stern Sheryll (Kathy-Ann Hart). While Talia who is defiant and free spirited is staying with a patriotic and conservative couple. These two girls befriend Brad (David James), an American flight attendant who loves Brazil and Lucas (Bruno Montaleone), a Brazilian who works at Ski Station. A ski resort not far from Woodstock, NY. Despite difficulties, these friends find love and friendship while living unforgettable moments.
Working incognito at his rich dad's company to test his own merits, Teto falls for Paula and tells her he grew up poor, a lie that spins out of control.
Geraldine is a fairy who lost their wings by using unconventional methods in their missions. Her last chance to retrieve them will be the mission "Julia".
Afraid her husband will fall back with his ex girlfriend after they're assigned to work together, Adriana and her sister set sail to the U.S. to go after him to stop this from happening.
The social lives of four coming-of-age sisters are shaken when they discover they are moving - to another neighborhood.
Recently divorced Adriana tries to get revenge on the woman who took her husband away from her by going on a European cruze along with them.
In the movie, Eduardo Moscovis is Danilo, a stage director obsessed with the injustice committed against XIX century farmer Manoel da Motta Coqueiro, case that initiated the process of extinction of death penalty in Brazil. Incited by a beautiful and mysterious woman, Danilo takes a fateful decision. He stages a play about the case with himself as Motta Coqueiro and psychiatric patients playing all the other parts. When the borders between reality and fantasy start to blend, Danilo relives the historical facts in first person, all the time conscious of the tragic doom of his character. Full with uncommon characters and surprising turns, the movie approaches the issue of death penalty in a refreshing new perspective.
