Tadeusz Kalinowski

A Polish war film from 1969 based on a short story by Cezary Chlebowski Nocne Szlaki.

After completing a project, a shipbuilder grows restless and travels the country on his motorcycle. He leaves behind his wife, a woman of virtue and responsibility, as he goes off on his amorous drunken escapades. He is part of a lost generation whose economic and vocational prospects have been severely limited in the decades following World War II. His summer cabin on the Baltic beach is torn apart by drunken revelers to feed a bonfire in this brooding and often depressing film.

6.3/10

Wajda's homage to Zbigniew Cybulski, the "Polish James Dean" who starred in the director's ASHES AND DIAMONDS and died young. The movie follows the tribulations of a director attempting to make a movie with a Cybulski-like star who never shows up.

6.8/10

In the last days of WW2, Polish military looks for the murderer of prosecutor responsible for storing Gestapo files.

7.2/10

Young boxer studies with a kind, knowing manager, grooming him for the Olympics. He fights the lead boxer, has a brief fling, and gets jailed for beating up a group he feels laughed at him during the drunken spree. But he is rehabilitated and gets a crack at the Olympics where he wins.

7.3/10

Three idealists - a communist secretary, a former RAF pilot and a female political activist - need to face the hardships and accusations of postwar Stalinist years before being finally rehabilitated.

6.4/10

To secure their team's success, dedicated football fans (Boleslaw Plotnicki, Mieczyslaw Czechowicz) plot to kidnap their opponents' star player (Andrzej Kopiczynski).

6.6/10

A man has been found dead after having been hurled from a train. As security agents, police and a medical examiner piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war, and one in contemporary Poland.

6.8/10

In war-ravaged Warsaw, five juvenile delinquents are given probation for stealing, to rehabilitate themselves, but remain under the influence of their profiteer-boss.

6.5/10