Tadeusz Konwicki
In the eve of the Day of the Dead, among mysterious old rituals of the Vilnius region, ghosts of the past and present start to appear.
Set in the summer months preceding the September 1939 outbreak of World War II in Polish part of Lithuania. A young highschool lad, Witek, is hoping to pass the entrance exams to the university. His love interest is Alina, his high-school colleague.
The film evokes a childhood in rural Lithuania between the wars. A country boy, Tomaszek, lives on a rich estate, situated on the Polish border. He realizes that the Issa Valley he lives in is to be torn apart by internal political conflicts and unrests among the mixed population of Poles, Lithuanians, Jews and Russians. He, however, is captivated by a paradise surrounding him, the forest, and his fantasies.
A middle-aged man sets out on a symbolic journey through past, present, and future to learn why an old friend committed suicide, and learns much about his own life along the way.
Marek is a promising athlete sharing affairs with more than one women. One day at masquerade ball his loafing eyes witnessed the most beautiful pair of eyes disguised in black veil of Turkish dress and instantly get him ensnared by her enigma. He follows her, she knows it. She meets him and introduced her as Jowita and told him to wait for her outside the gate. The wait ended in frustration for him and he gets himself obsessed in search of her. Finally at another ball, he meets her again but she said she is Agnieszka and not Jowita, who is her best friend. They became friends and lovers but still those eyes of Jowita remain a mystery. Who is Jowita? An unattainable object of desire or unsolved enigma of subconscious?
The movie "L'instant de la paix" consists of three segments: 1. "Les rideaux blancs" (France) 2. "Berlin N 65" (West Germany) 3. "Matura" (Poland)
A pair of lovers go off to a small hotel in a little town. The memories of war, however, intrude on their idyll. The girl and boy relive certain wartime experiences in flashback. She was a communist who drove a boy loving her to give himself up.
Set in the 17th century. A convent in a small town is being visited by high-ranking Catholic official trying to exorcise the nun supposedly possessed by demons. A local priest have been burnt for creating this condition by sexual temptation of the nuns, especially the Mother superior who bring on the collective hysteria of the group. There is another young priest who is to help with the exorcism. His first meeting with the convent head, Mother Joan of the Angels, has her seemingly possessed by Satan - she yells blasphemies and incites the priest. She begs the priest to save her and to help her to be a saint.
A subtle, almost quasi-documentary tale of a confrontation between two lonely people — one from which true understanding cannot seemingly result.
Rumsza, the elderly railwayman, leading a sedate life with his wife, misses his only remaining son (two older boys were killed in the war). Joziuk finally returns from the military in the first scene but with the pregnant Zosia, while Rumsza expected him to marry Celinka, the daughter of Krywka, his only friend and neighbour. The hero will not accept the new situation; he throws his son and Zosia out of his house. Celinka is distressed but she still harbours hope for Joziuk. The birth of the child changes the situation: Rumsza accepts his son's relationship but Celinka decides to leave.
Karwowski, son of a pre-war colonel, is transferred from the West to Poland with the task of assembling a spy and diversion network. The task seems to be easy. However, after landing in Poland, it turns out that nobody wants to cooperate with him. Karwowski's "100% reliable" contacts with potential collaborators turn out to be completely outdated.
The main character of "Żyłem siedemnaście razy" reflects on his childhood in Gwoździec and tells a story about the beginning of his career as a filmmaker.
