Takao Saitō
The late Akira Kurosawa won the People's Honor Award. However, the general public does not know who he is, and he is often talked about with a misunderstood impression. Its reputation is still high overseas, and the boom continues to occur among the younger generation. Still, the real Kurosawa director is not thought to have been a very gentle and soft-spoken director. This work introduces the human Akira Kurosawa, who was shown during the production process of the movie "Ran".
Animation PV released with the "KU-RU-KU-RU Cruller!" single. It was the theme song for the Monster Strike and Love Live! Sunshine!! collaboration event.
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Yojimbo" (1961).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Dodes'ka-den" (1970).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Bad Sleep Well" (1960).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Hidden Fortress" (1958).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "High and Low" (1963).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanjuro" (1962).
Set in Edo-era Kyoto, this drama depicts the adolescent battles and the love between parents and children who are born and raised in the same tenement house.
The story centers on an elderly hibakusha, who lost her husband in the 1945 atomic bombing of Nagasaki, caring for her four grandchildren over the summer. She learns of a long-lost brother, Suzujiro, living in Hawaii who wants her to visit him before he dies.
TV film about the "Nishiyama Incident", a scandal surrounding the 1972 return of Okinawa to Japan. Produced to commemorate the 20th anniversary of TV Asahi in 1978 and released theatrically by Office Henmi in 1988.
In 1985, Chris Marker traveled to Japan to attend the filming of “Ran,” directed by Akira Kurosawa. Marker analyzes the progress of filming; the infinite patience of a team under the orders of a meticulous director down to the smallest detail; the antithetical mixture of the modern with the traditional; of the real with the fictitious; of life with cinema… and literature.
With Ran, legendary director Akira Kurosawa reimagines Shakespeare's King Lear as a singular historical epic set in sixteenth-century Japan. Majestic in scope, the film is Kurosawa's late-life masterpiece, a profound examination of the folly of war and the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.
Director/screenwriter 'Shinobu Hashimoto' was given carte blanche to make this film based on his three-decade record of success, including being a screenwriter for Akira Kurosawa's Rashomon (1950). This movie was greenlighted sight unseen by the studio. When it failed, Hashimoto retired permanently from film.
Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
In the 1770's, the shrewdest man of the age, Tanuma Okitsugu, had abused his political power, and the corruption of government officials and moral decay of the public were prevalent. At that time, there was a box for complaints made by the general public. It was called "Meyasubako" and was placed at the front gate of the central government's Supreme Court. The appeals went directly to the shogun who assigned the “Otakagumi” (Falconers Unit) to investigate. Led by Uchiyama Kanbei (samurai superstar Mifune Toshiro) they fought injustice and helped the oppressed. Not only were they skilled swordsmen, but their trained falcons would swoop down on enemy troops, especially those using firearms. Superb fighting throughout with Mifune at the forefront in one of his finest roles. As the vile Tanuma Okitsugu continues to abuse his political power, more and more clashes with the Falcons of Edo, who stand for justice and morality are bound to occur, leading to a conclusion the likes of which has never been seen. Putting his life on the line, time and time again, Uchiyama Kanbei fights to prevent Tanuma from destroying the falconers’ group and take him to task for his vicious treatment of the Japanese people. Aided by his trusty Vice-Chief Ichiyanagi Kakuto, he wades bravely into battle in a land where “Take no prisoners” is the mantra. Brilliant fighting and a clever story line create a highly charged action series that brings out the best in samurai cinema. Can the Falcons of Edo prevail and save Japan from being crushed underfoot!
By turns tragic and transcendent, Akira Kurosawa’s film follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Yet as desperate as their circumstances are, each of them—the homeless father and son envisioning their dream house; the young woman abused by her uncle; the boy who imagines himself a trolley conductor—finds reasons to carry on. The unforgettable Dodes’ka-den was made at a tumultuous moment in Kurosawa’s life. And all of his hopes, fears, and artistic passion are on fervent display in this, his gloriously shot first color film.
In Hong Kong an International Secret Police (ISP) Agent is murdered while investigating ZZZ, a group bent on assassinating the Prime Minister of Buddhabal. ISP Agents Carter and Kitami are assigned to the case. When the Prime Minister arrives in Tokyo for a friendship visit, Carter and Kitami are on hand to protect him. On hand, too, are assorted ZZZ blackguards. Several attempts on the Prime Minister's life fail, until finally the ZZZ introduces a new device designed to eliminate not only the Prime Minister but the ISP Agents as well: THE KILLING BOTTLE, then, is a pocket-sized container filled with a substance that can expand to thousands of times its size and throttle its victim, then disappear leaving only the corpse.
Sasaki Kojiro tells the story of the genius who staked his love, glory, and life on a duel with the supreme master of the sword, Miyamoto Musashi (Tatsuya Nakadai). Oscar winning Hiroshi Inagaki directs this epic motion picture based on Genzo Murakami’s fascinating story. Despite his humble birth, the orphan Sasaki Kojiro (Onoe Kikunosuke) is determined to become the foremost swordsman in all Japan, a title that traditionally belongs to a nobleman. At fencing school, young Kojiro receives the contempt of his classmates because of his superior swordsmanship. When rumors of the upcoming civil war between Toyotomi and Tokugawa clans spread, Kojiro leaves the school and sets out, seizing every opportunity to realize his dream.
Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.
An adventurous and daring sailor sets sail to the castle of an ailing king to stop an evil premier, hungry for power and wealth, from succeeding the throne and marrying the king's beautiful daughter. Along the way, with the help of some courageous rebels and a lustful wizard, he must overcome the powers of a bewitching witch, a band of ruthless pirates, and the castle's Imperial guards. He must also free those kidnapped into slavery and restore the king's reputation.
Lt. Col. Senda resists the idea of sending Japanese fighter pilots on suicide missions. He believes that what is really necessary for Japan to regain momentum in the war is for the air force to gather its most brilliant pilots into an elite squadron and use the unit to pinpoint attacks on the Americans. Disrespected by the kamikaze pilots who think the "non-suicidal" pilots are afraid, the unit redeems itself by stunning victories. But success leads the military leaders to expect too much of the unit, and new orders portend disaster.
An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom.
During World War II Japan sends gold to the Phillipines. After the war, the gold is lost in the bay of Manille. Takeichi Matsuo, a former soldier is working now as a buisiness executive. He meets Mintsura Gunji the boss of a large company who offers him to go to the Philippines and bring back the gold.
An irresponsible salaryman works his way to the top of the corporate ladder.
Toshiro Mifune swaggers and snarls to brilliant comic effect in Kurosawa's tightly paced, beautifully composed "Sanjuro." In this companion piece and sequel to "Yojimbo," jaded samurai Sanjuro helps an idealistic group of young warriors weed out their clan's evil influences, and in the process turns their image of a proper samurai on its ear.
A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.
In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food. A giant battle occurs when 40 bandits attack the village.
