Takeo Kimura

Nursing home "Yuyoso". Many lonely old people live there, including botanist Taro Makiso, a physicist, an actor, a bar mom, and a chef. Maki has spent most of his life studying botany, and has lived without regard for entertainment, drinking, women, or everything else in the world. Then came my 80th birthday. He and a young staff member go digging for wild yam and find a mysterious golden flower. It was the flower of immortality, the "Golden Flower", which was said to bloom beside the Himalayan Virgin, which he had been looking for for many years. From that day onwards, fragments of memories from his youth, which he had intentionally sealed off in order to immerse himself in botany, surged into Maki in a whirlpool.

Recently appointed dean at a film school, Kimuro Hajime develops a special concern for one of his students, Daisuke. The brash, headstrong young man is fixated on with the Second World War. He feels a sense of frustration at the irrational sacrifice of young people's lives during the war six decades earlier. Daisuke finds that he can vent his frustrations to Kimuro, who experienced the war firsthand. Kimuro's wife, Emiko, is also troubled by memories of the war. She lost a loved one in the war and has never gotten over it. And Kimuro himself also has something from the past that he has yet to face. He believes that the burden of his unresolved past will eventually be the death of him. When Daisuke's neurosis causes him to quit school, life changes for all three of them.

Kohei Takahara, an astronaut who dies in the line of duty, is legally resurrected as a clone: however, contrary to the scientists’ expectations, he reverts to his childhood memories when his twin brother drowned sacrificing his life for Kohei. Kohei’s clone discovers the body of his former self mistakenly believing that it is his deceased twin. Reliving his tragic past, he sets off carrying his corpse body to the beautiful hometown where he lived with his now dead mother.

Mirume (Ken'ichi Matsuyama) is a 19 year old college student who falls in love with Yuri (Hiromi Nagasaku), an almost 40 year old art teacher at his university. Yuri isn't your typical college professor, having a quirky sense of humor and unpredictable personality. When Yuri invites Murume to her studio, she playfully seduces the still naive 19 year old student. Things become more complicated when Mirume discovers that Yuri is married to a much older man ....

A baby, John, who was abandoned in the church with a horse-headed koto on his side. His grandfather was once a Morin Khuur player and died in the atomic bombing of Nagasaki. The brilliantly colored images have an avant-garde charm while hiding the sadness of the war, and will grab the viewer's heart.

In Kagoshima, in the final days of World War II, an offer of marriage comes to Etsuko Kamiya, who lives with her brother and his wife. The offer comes from Nagayo, but Etsuko is attracted to his friend, Akashi.

Made for in 2005, this video interview features director Seijun Suzuki and production designer Takeo Kimura. These longtime collaborators discuss the making of GATE OF FLESH.

A young man is on an inner journey as he searches for meaning in love, eroticism and marriage. He boards a train, and all the clocks are mirrored from then on, as if looking at them from the inside. He travels to a homey village, meets a potential fiancée, then a more sensuous and mysterious stripper.

Based on Akira Kurosawa's final unproduced script, this Edo-period drama takes place almost entirely inside an ocean-village brothel. O-Shin is a young brothel worker who one night helps a young samurai escape from his pursuers. Against the warnings of her fellow workers, particularly Kikuno and the brothel's owner, O-Shin falls in love with the samurai.

In the sixties, director and screenwriter Seijun Suzuki (1923-2017) was the great innovator of Japanese cinema. Extremely creative and eccentric, his narrative world is strongly influenced by Kabuki theater. His testimony crosses with that of his collaborator and close friend, artistic director and screenwriter Takeo Kimura (1918–2010). Between the two of them, they remember how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.

A middle-aged salaryman with a typical family, living quietly in a provincial city (Matsumoto, Nagano Prefecture), wakes up one morning in the summer of 1994 to find himself the prime suspect in the biggest mass-murder case of the decade.

As one of Suzuki's last fims, it is related to his 1967 Branded to Kill, either as a remake or sequel. The plots of both films involve a third-ranked hit man deposing the top-ranked hit man to claim the top rank.

Mitsu works in a factory and has a crush on Tsutomu, a young man she met on the Tokyo streets. One day the two go out, and after some deception, Tsutomu manages to have his way with her. Coming from a broken home, he is frightened by love, so he cruelly allows her to wake up alone. A month passes and a more grown-up Tsutomu returns. The lovers joyously reunite and move in together. All is blissful until both notice a strange sore on Mitsu's arm. The doctors diagnose it as leprosy. Without telling Tsutomu, Mitsu checks into a leper sanitarium. Hanging out with society's pariahs gives her much insight. She discovers the old lepers to be wonderful people. In turn, Mitsu becomes their source of joy and renewed hope. Still, she misses her Tsutomu. One day, the doctors inform her that they erred and that the sore is not leprosy. Happily she heads back to her true love until she realizes with a guilty pang that to return to him would mean unhappiness for her newfound friends

In love for the first time, cases booked solidly for months and a brand new fax machine prodding his office into the nineties, down-on-his-luck private eye Maiku "Mike" Hama has the world on a string at last. Or does he? In The Trap, things are not what they seem. When a hooded stranger appears in his office with the cryptic challenge "I want you to look for me," Hama is drawn into a string of bizarre serial murders that have Yokohama's police baffled and the city terrified.

Broke, his vintage Nash convertible repossessed, private eye Mike Hama is reduced to combing the mean streets of the Yokohama waterfront on a borrowed bicycle. But when Lily, a beautiful stripper from out of Hama's past, returns to town, the fuse is lit on a criminal powder keg set to blow the lid off the Yokohama underworld.

Three brothers, their father missing and tensions boiling, gather at their rural summer house; soon enough, they're unexpectedly joined by a female cousin.

Maiku Hama is a private detective working in Yokohama. Hama comes to the aid of a Taiwanese waiter named Yang and agrees to track down his missing brother. Through a series of double-crosses Hama gets embroiled in a gang war and a revenge plot between the two brothers

Famed onnagata (a man who plays women's parts in Kabuki) Tamasaburo Bando follows up on the success of his directorial debut, Gekashitsu, with this soft-focused romance about love and obligation, based on a novel by Kafu Nagai. Set during the Meiji period (1868-1912), Kaede (Sayuri Yoshinaga) is the former mistress of a wealthy merchant. When he dies, she is forced out on the street and forced to give up her young daughter to the merchant's family. The film opens with her working in a high-class brothel abutting Tokyo Bay. Though she has passionate affection for a drug wholesaler, whom she loves as well, Kaede is swamped with not only debts to the bordello and family obligations -- she is expected to support her parents and her sister -- but also guilt over losing her child. This pain is only increased when Kaede learns that her daughter is being abused. She does the only thing she can: She buys back her child by signing on at the brothel for a longer stint.

A headmaster and a novelist, looking for inspiration, regard a strange natural phenomenon before sharing stories of their own.

Ammonites were a kind of snail-like precursor to today's mollusks, common in the seas of the Cretaceous period, many millions of years ago. They are among the most commonly found fossils, so they must have been extremely plentiful. In this meditative and largely unstructured first feature, a young geologist is traveling by train to visit his sister in the countryside after having received a disturbing and mysterious letter from her. As he travels, he remembers his childhood fixation with rocks, nurtured by his mother, and his very strong affection for his sister.

A story of childhood life during wartime Japan. Takeshi, the intelligent son of a fisherman, is the schoolyard bully. When his cousin comes to stay with his family to avoid bombing raids, Takeshi at first treats him well, then begins bullying him too. Takeshi eventually loses his position of leadership.

Toyoichi Otomo suffers from psychological and spiritual troubles after a horrific industrial accident. He lives with his elderly mother and wife near Mt. Aso in rural Kyushu. He seeks solace in a small religious group run by Buddhist nun Chishu-bo who claims to be the 68th descendant of famed 11th century poet Izumi Shikibu. The members of her sect regard her as a living saint. Yet instead of balming his soul, she riles his libido by playing a sexual cat-and-mouse game with the fragile Toyoichi. When she does bed him, it leads to a miracle healing -- followed by a terrible calamity.

Years after the death of legendary tea master Rikyu, his disciple Honkakubo attempts to resolve the mystery of the master's death.

The reincarnation of a 10th century Japanese general haunts 1920's Tokyo.

A man is confined to a mental institution after trying to murder his fiancee. Two doctors relate his problem to an Asian philosophy that states that mental defects are transmitted from generation to generation. He learns that one of his distant ancestors murdered his wife as a way of demonstrating a point to his lord about the importance of love over the emptiness of lust and to drive home the point further, created a series of illustrations of the dead woman decaying which in turn trigger the memories of his distant descendant. But is the whole thing merely a game concocted by the two doctors, who may even have driven themselves mad?

Heartbroken Ukiko takes refuge with a relative after a devastating breakup. While away, she makes a dangerous match with the husband of her frigid cousin.

Directed by Kichitaro Negishi.

Umiemon is a naniwa-bushi singer who travels with his wife to the United States in hopes of achieving fame and fortune.

Tatsuo, a reverent lumberjack, seeks to disrupt plans to build a marine park on his family land, instead promoting his traditions in reactionary ways.

Sayo is running a travelling BDSM show with her husband, where she plays the bottom, and gets increasingly bored with her life. During their tour in Kyoto, they are arranged by a well-off couple who ask for a private show, without knowing that they will eventually be forced for the "real thing". Scripted by Chiho Katsura using the pseudonym Eizo Uji.

Japanese drama film.

Three people whose lives have taken a turn for the worse retreat into a world of erotic dreams made flesh in this drama from director Sai Yoichi. An executive with a large industrial corporation finds his job and his future is on the line when his firm is beset by labor troubles at the same time severe financial mismanagement has been discovered. As the executive looks for a way out of his situation, he becomes involved in a ménage à trois relationship with two fellow employees, a woman and another man. As real life becomes all the more unpleasant, the businessman and his lovers become deeply attached to one another as he explores sides of his sexual nature he's never been able to investigate in the past.

Based on an actual 1948 case involving the mysterious death of a government official. The president of the Japanese railroads is found dead during a period in which train service is plagued by numerous layoffs, strikes and shutdowns. The government says that the president was murdered; the police claim it was a suicide. A quizzical reporter follows the case for years, but the basic question remains unanswered: was the victim killed by members of the burgeoning Communist movement in Japan, or was the death stage-managed by the authorities in hopes of discrediting the Communists?

No description available.

Second live action "Barefoot Gen" sequel.

First live action "Barefoot Gen" sequel.

1977 Japanese film directed by Tengo Yamada.

Tateo, young and neurotic, wishes to leave the village his mother has raised him in.

A young journalist interviews an elderly woman about being forced into prostitution in Borneo at a brothel called Sandakan No. 8.

A delicate study of the relationship between two disillusioned young people, shot in atmospheric monochrome among Tokyo's decaying lumberyards and the inhospitable snowscapes of the north.

Patronized by a gang ruling the city, Mako delinquently plays around a night club every night with her bad company. One night, a guy Hideo gets closer to her for one-night stand, and they consequently fall in love. However, Hideo is killed by the gang. Mako swears vengeance on his beloved's murderer.

A real all-star cast turns out for this modern yakuza yarn.

The love story between a traveling guest and a geisha who inadvertently becomes the leader of her father's yakuza clan, after his death.

A professional hunter, Tetsuya, returns from Alaska to find that his hometown had become a lawless slum. He is shocked to learn that his younger sister had committed suicide after being raped by unknown men. One day, he rescues a girl from being attacked by some gang, and discovers that the same gang had driven his sister to death. Using his lethal hunting skills, Tetsuya begins to take revenge…

The early years of the Showa period were turbulent times for Japan. The country suffered financial crisis and famine, women worked under intolerable employment conditions, and political corruption was a major issue. Out of fear that the great nation would soon fall, a group of young patriotic men gathered to lay out plans to assassinate the crooked politicians. One of these young terrorists was Shinsuke Kusaka. He receives orders to kill the Prime Minister.

Goro (Tetsuya Watari) wants to put his dark past behind. He heads to Hirosaki City to offer his condolences to Yumeko and to reunite with Yukiko (Chieko Matsubara), but finds that Yumeko is fatally ill. Although Yukiko was taking care of her, she is pressed for money. Goro wants to help and knows that there is only one way to come up with fast money.

In 1943, critical developments in the Pacific War have placed Japan at a disadvantage, although the fiery breaths of war hadn't yet reached Okinawa Normal School for women. Nothing seemed the least bit out of the ordinary, as Kazuko and her friends enjoyed a day of sports. A year later the war takes a devastating turn, as US forces plan an amphibious attack known as "Operation Iceberg" on the Ryukyu island.

Kuroda (Jô Shishido) is a mob hitman who turns on his employers after being forced to execute his lover. Joining forces with his similarly wronged brothers, hot-headed Eiji (Tatsuya Fuji) and aspiring boxer Saburô (Jirô Okazaki), the trio escalate their mob retaliation to all-out turf war where no one will stop until one faction emerges victorious.

After botching his latest assignment, a third-ranked Japanese hit man becomes the target of another assassin.

A young yakuza hitman named Goro does a job and needs to hideout away from Tokyo for a while. He hangs out with loose women and hard men and always manages to stay one step ahead of the law. In his exile, he comes under suspicion for a murder and meets the girlfriend of the murdered man. They develop a strange bond while unbeknown to Goro, another hitman is after him for the job he did in Tokyo.

Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.

Kiroku boards with a Roman Catholic family and falls for the daughter Michiko. He ignores his feelings, joins a gang, gets in fights and, eventually, becomes involved with the radical Kita Ikki group.

Volunteering as a "comfort woman" on the Manchurian front, where she is expected to service hundreds of soldiers, Harumi is commandeered by the brutal Lieutenant Narita but falls for the sensitive Mikami, Narita's direct subordinate. Seijun Suzuki's Story of a Prostitute is a tragic love story as well as a rule-bending take on a popular Taijiro Tamura novel, challenging military and fraternal codes of honor, as seen through Harumi's eyes.

‘Tattooed Life' begins with a parasol wielding Yakuza assassin attacking a rickshaw. It almost looks like feudal Japan until somebody pulls a gun and we're reminded that it's the 20th century. Post-shooting, the assassin delivers his bounty to his brother (to pay for his art school education) before getting ambushed in one of the few rickshaw-jacking incidents in film history, and being rescued by his art-student brother. In the aftermath, one brother is marked for death by the Yakuza, and the other brother won't go to art school with blood on his hands, so they decide the perfect way to deal with such hardships is to become fugitive construction workers in northern Japan . And why not?

Akira Kobayashi stars as a coal-miner who leads a rebellion against a nasty tyrant.

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

Two brothers seek revenge on the yakuza responsible of the death of their father.

Handsome young Katsuta tries to follow the yakuza code, but even his boss doesn't believe in it. Diamond Fuyu is less ethical, and allows the idiotic Tetsu to trick a schoolgirl he fancies, Hanako, into a type of bonded prostitution. Because of gang conflict, the Izu family (to whom Katsuta belongs) has their last gambling den taken over, and he seeks revenge. This brings him back into contact with a former lover who is also a card trickster - she is also Diamond Fuyu's sister, and is now married to Okaru-Hachi, who has mastered a clever card cheating trick called Okaru, which involves the deft use of mirrors.

Lt. Col. Senda resists the idea of sending Japanese fighter pilots on suicide missions. He believes that what is really necessary for Japan to regain momentum in the war is for the air force to gather its most brilliant pilots into an elite squadron and use the unit to pinpoint attacks on the Americans. Disrespected by the kamikaze pilots who think the "non-suicidal" pilots are afraid, the unit redeems itself by stunning victories. But success leads the military leaders to expect too much of the unit, and new orders portend disaster.

Joe Shishido is an ambitious bike racetrack tout who becomes inadvertently involved in a triangle with a vulnerable prostitute (Izumi Ashikawa) and her brutal yakuza pimp (George Ai).

A yakuza frames another yakuza who goes to jail for 5 years. When he is released he goes to seek revenge only to fall in love with the daughter of the man who framed him.

The lives of two brothers, Kunio and Akira Kasahara, are changed forever when their father is murdered. Kunio sets out on a manhunt to avenge his father and will stop at nothing until he finds the killer. Setsuko, Kunio's fiancée, is unable to keep up with the lunacy that Kunio stirs up and finds comfort with another man - his brother, Akira.

Nakata (Keiichiro Akagi) is a nihilistic young buck who is willing to do anything to get money in his pockets. As he knocks back a couple drinks that he knows he won't be able to afford, a former marksman-turned-bad, Ishioka approaches him. Ishioka is looking for an unaffiliated hit-man who is willing to handle some business. Nakata is just the right man for the job.

A sailor is stuck in harbor due to an engine failure in his boat, and he learns that a friend of his has died, reportedly from suicide. He begins to investigate the matter himself, and finds there may be more to the story...

An airplane loaded with 50 million yen for the reconstruction of Amami Oshima crashes en route from Kagoshima, Kyushu, but neither the money nor the remains of the pilot can be found.

The monologue and mysterious death of a man who survived and returned from Iwo Jima. A newspaper reporter writes an article about "The Man from Iwo Jima" asking the people who were close to him about his character and the painful memories off all those involved.

An action drama similar to Wyler's "The Desperate Hours", adapted by Seiji Hoshikawa of "Tasogare no Tokyo Tower" based on Shinji Fujiwara's original work. Jiro, who had been unable to rehabilitate because of the stigma of having criminal record, stopped by at his favorite bar. There, Shimamoto was waiting for him, and Jiro was offered a job to carry certain things. Jiro was attracted by the large amount of reward and finally accepted the task. The car driven by Jiro was investigated by a police officer on the way, but Shimamoto shooted the police officer and orders to help Jiro escape at full speed...

The young Takako Kuramoto has come to Tokyo to study and starts working for the rich Tashiro family as tutor of the daughter, Kumiko, while she receives attention from her two older brothers, Yukichi and Shinji. Meanwhile, the exact parentage of Shinji comes to light.

Kawai Midori's father left the family a long time ago and since her mother passed away, she has taken care of her younger siblings by herself by working with a group of itinerant camellia oil peddlers. While she is In Izu selling camellia oil, she meets a young student, Katō Yutaka, who asks her to let him take her picture. The peddlers also meet a jazz band, and when Midori sings a song, teased by the band's star singer Nanjō Haruo, the band members are enraptured by her beautiful voice. She eventually joins the band and quickly becomes a popular jazz singer.

Nobuko is a widow who lives with her daughter-in-law Tamiko and her brother Junjiro. The family's gatekeeper, Komatsu, is attracted to Tamiko, but she is encouraged to marry a doctor and he is afraid to tell her his feelings.

Lending money, job hunting for civilians and babysitting. All these things are usually not listed on a policeman's job description. But for the officers of this local police station, it‘s part of their daily routine. One day, patrolman Yoshii (Hisaya Morishige) finds an abandoned baby and a six year old girl standing in front of the station. When he's declined by the welfare office, orphanage and local health clinic to take them in, he decides to take care of them himself.

Mokichi is the widowed father of three daughters, with whom he lives on the premises of a temple since the war. In the film all three daughters become involved in some sort of complicated relationships. The sisters and their attached Men are deliberately designed as allegorical figures on the changing social conditions. A wonderfully funny, sometimes droll comedy between Nara and Tokyo, Adagio and Allegro, Yesterday and Today - in search of a morning.

A reporter Takuo, who is sleeping in the newspaper room of the Maichō newspaper company, receives a sudden report from a reporter that the missing Akiyama JNR president was found dead.

A young woman, who must support her father as a middle-aged man's mistress, finds herself falling in love with a student closer to her age.