Tamara Bos

Eleven-year-old Nola is doing her best to save money so that her grandmother can travel to Suriname to scatter her late grandfather's ashes, but plane tickets are expensive and saving up takes a long time. When Nola finds a bag of stolen money, she puts aside her conscience and decides to keep the loot. After all, it's for a good cause. But whether that's a wise decision.

Grandma Stine reluctantly agrees to look after granddaughter Romy when daughter Margot, who recently got divorced, is at work.

7.3/10

Nine-year-old Johannes Blom gets blown away when he discovers a little man in the kitchen cupboard, hidden behind the peanut butter jar. He’s even more astonished when he realizes that this little man, ‘Wiplala’, has magical powers. When Wiplala accidentally transforms the Blom family to little people, the adventure begins. Will they ever go back to normal-sized people?

6/10

Fidgety Bram (seven years old) thinks a lot about the world around him. He is very much looking forward to enter the first grade. But then he ends up in the class of the strict teacher Mr. Fish. The straightfoward Mr. Fish doesn’t care about the inside world of the constantly moving around and unconcentrated little boy and does whatever it takes to make Bram do things the ‘right’ way. Bram’s parents struggle with the question of how much they should expect their son to adapt without becoming completely miserable.

7/10

On the night of his seventh birthday, sweet Alfie suddenly changes into a white fluffy werewolf. He doesn’t understand why. Alfie struggles with himself, because the wolf at night is capable of doing things that the shy boy would not during the day. Who is Alfie ? Will he be able to accept the way he really is ? A quirky and smart film that will delight you about a young boy who suddenly develops fullmoon issues.

6.2/10

In the sequel to "Winky's Horse", 8-year old Winky looks after the horse of St Nicholas. Then one day the horse runs away.

6.5/10

A story about the 14 year old Heleen who makes the transition of child to adult with pain and effort in the wild 70s. While her parents going to divorce she is exploring the world of sex, drugs and love on her own.

6.3/10

Not a single word is spoken in the mini-drama Anna II. The sounds and glances produced by the leading character, the cow Anna II, are telling enough. Her mooing and smacking minutely convey her displeasure with her farmer's budding conjugal bliss. When, on the morning after the wedding night, he enters the cowshed but does not pay enough attention to his prize cow yet, Anna II has had it. The cow's sultry gaze registers how the bride brings the farmer a cup of coffee.

6.3/10

Pluk van de PettefletPluk had een klein rood kraanwagentje. Hij reed ermee door de hele stad en zocht naar een huis om in te wonen. Af en toe stopte hij. En dan vroeg hij aan de mensen: 'Weet u niet een huis voor me?' Uiteindelijk vindt hij wat: het torentje van de Petteflet. Daar maakt hij kennis met de Stampertjes, mevrouw Helderder, Aagje, Zaza en nog veel meer.

6.1/10

Seventy-year-old Agnes takes the ashes of her dear Robert and travels to their regular holiday cottage on the Scottish island of Mull. On the way, two Dutch runaways, the ten-year-old girl Chris and her younger brother Tommie, sneak into her car. The children warn Agnes they will flee again if she calls the police. In the secluded house, beautifully located near a bay with a view of the sea, the elderly woman and the children gradually grow towards each other. Chris is confident and short-tempered, and dominates not only her younger, pigheaded brother, but also old Agnes, who loses herself in memories of Robert. Meanwhile, Agnes has to withstand the people who want to take over the house from her. The surroundings play a major role in this adaptation of Renate Dorrestein's novel about family, trust and secrets.

6.4/10

The Iranian refugee Amir finds two golden retrievers while jogging on the beach. They have slipped their leash in the hands of Marijke, a middle-aged woman who takes out her daughter Emma's dogs every day and does her housekeeping. Marijke is not capable of keeping her selfish daughter in line and has no authority over the dogs. Amir wants to help her. When Emma hears she has subcontracted the dogs to a refugee, mother and daughter come into conflict. Emma looks for a replacement, but is eventually forced to ask Amir. When they meet, they get on at once, until his residence permit runs out.

6/10