Tambet Tuisk
A woman’s voice can silence injustice, lower weapons and stop trains. In this opera-western, the question is whether Ada can hit the right note to save her brother's and her own life from the vindictive Sheriff.
This focused family drama with a crime plot begins when Otto Müller, a 65-years-old business legend, is murdered in his own home.
A wide range of relatives and acquaintances have traveled to a funeral, and as is typical of Estonians, the sad event turns into a comical one as the evening develops. The primordial disputes that arise among the Estonians take on hyperbolic dimensions as events unfold, creating misunderstandings.
Once Were Rebels depicts two urban, liberal couples in their 30s who decide to help a Russian friend escape to Austria. Pavel, a dissident, is in very real difficulties. Though initially thrilled by this adventure, the Austrians soon find the very foundations of their friendships and relationships are threatened – mainly because this kind of help can be understood in different ways, but also because the man they rescue refuses to behave as the helpers feel he should.
In the midst of Stalinist tyranny, six-year-old Leelo's mother is sent to a prison camp. Haunted by her mother's last words telling her to be a good kid, Leelo vows to be on her best behaviour in the confusing grown-up world in the hope that it will bring her mother back.
A former German Army officer, accompanied by his granddaughter, journeys to the Ukraine to find the woman he once loved.
A village girl travels to the Lao capital, Vientiane, to care for her rich cousin who has lost her sight and gained the ability to communicate with the dead.
The film is set in a town that has a professional symphony orchestra, managed by authoritarian and confident Paul Levald, who has conducted both the orchestra and his family affairs for years. Due to dramatic events, Paul’s son-in-law Egon Rei must unexpectedly assume his duties. In addition to the baton, power and responsibility as well as the tensions in the orchestra, Egon inherits his father-in-law’s secrets and obligations from his complicated past. New lies are born out of old ones and, at some point, Egon realises that the revelation of truth might cause a real chaos. "Family Lies" by Valentin Kuik and Manfred Vainokivi is a relationship drama about elephants in the bedroom and skeletons in the closet, about small and big deceptions, half-truths and set-ups that can be found in every family’s secret chronicles.
Roukli is a film about about love, war and something else. Estonian director Veiko Õunpuu (Autumn Ball, The Temptation of St. Tony, Free Range/Ballad on Approving of the World) made his new film Roukli without institutional financial support. The film was made through an experimental process of improvisation and financed through the Estonian crowdfunding platform Hooandja. According to Õunpuu, the reasons for turning to crowdfunding and improvisation for his new film were creative. “We find creative freedom in independence from institutional support,” Õunpuu said.
Young journalist Sebastian Zöllner is writing an article on artist Manuel Kaminski. Zöllner hopes that Kaminski dies soon, so that he can cash in on his article.
In a quiet resort town Haapsalu four kids are spending their summer holidays together. Suddenly they are dragged into events that started in the 15th century in the local bishop's stronghold. The children must solve a difficult mystery of a clock robbery and they have to find a treasure that has been lost for centuries and contains a formula of making gold.
Film is based on "Unified Estonia" which was a fictitious political movement created by NO99 Theatre and a large portion of the public treated as a real political force. Its convention, held for more than 7200 people, was one of the largest theatre events in modern European theatre history.
The Rise and Fall of Estonia is a production by directors Tiit Ojasoo and Ene-Liis Semper. Together they have created large-scale shows already before. "Ruja", a rock-opera, and "Unified Estonia", a convention of a fictitious political movement for 7200 viewers, were not only completely sold out, but also theatre events, which won the major theatre prizes in Estonia. "The Rise and Fall of Estonia" is not a rock-opera. It's not a punk statement. It's a symphony. And it's about Estonia. Together with actors from NO99 they've created over the years four productions, which more or less deal with Estonia and its state of mind.
In 1914 on a family estate, Oda helps a wounded anarchist, and as their illicit friendship deepens, a family turmoil erupts as the war closes in.
NO75 Unified Estonia was a fictious political movement created by Theatre NO99 that a large portion of the public treated as a real political force. It lasted 44 days, during which various political technologies were introduced. The project ended with Unified Estonia movement assembly, with more than 7500 people attending. It was one of the largest theatre events in contemporary Europe.
An adaptation of a book by Sass Henno, I Was Here. First Arrest (Mina olin siin. 1. esimene arrest, 2005), one of the most important Estonian works of literature of recent years. Seventeen-year-old Rass is growing up in an Estonian suburb. In the absence of a solid home life his family becomes a group of youngsters who are verging on being thieves. Drugs are an inseparable part of their lives, and when Rass agrees to distribute them, he gets tangled up in the narcotics trade. Small amounts suddenly become two-kilo packages that the mafia, to the misfortune of all involved, has not been paid for, and is ready to collect on by force… This story of one boy’s adolescence unwinds retrospectively over a sheet of paper on which Rass records his memories while in prison. The camera intermediates these recollections in a nervous journalistic stylisation, often even duplicating the images, which increases the pace of the story, a true-to-life basis for which can be easily imagined.
The young country of Estonia is dancing to the jazzy tune of the 1920's when on December 1, 1924, the capital Tallinn is overrun by members of the Comintern in an attempt to stage a Communist coup. The film follows the fates of a young soldier called Tanel and his wife, a telephone operator named Anna, amidst the ensuing chaos which determines whether the country remains independent or becomes a minor province in the Communist Empire.
