Terezie Brzková
After the battle of Sudoměř the Hussite teaching spreads through the whole country and people start leaving their homes to help build the fortification of Tábor. Prague citizens request help against the army of Zikmund. The Hussite army with Jan Žižka in the lead make their way towards Prague. They fortify themselves on the mountain Vítkov and engage in a bloody battle with Zikmund’s huge army.
A selfish self-centered widowed ruler, barely tolerated by his subjects and called appropriately enough, 'King Myself, First' asks his three daughters to name the measure of their love for him. When one of them says, "more than salt", he banishes her from the kingdom. Not understanding what she meant the King assumes love can only be measured by precious metals or one's own talent, the 'correct' answers from his other two daughters. The arrogance of the King leads him to gather all the salt in the kingdom and destroy it. Of course, this backfires as he slowly learns the universal value of the substance, and of course, the essence of his daughter's reply. With the help of the wise and magical old 'herb woman', the King also learns what it means to be a true and wise ruler.
It's very human and nice story about lofty princess (her father is amiable but incapable - unforgettable performance of S. Neumann) and good, nice, kind and well-principled young king (prince) who tries to make tender her calm heart to get married with her. After being refused (she's very capricious), he conclude to make her better. He start to work as a gardener at her castle (in secret) and successively bring she to her senses...The story continues when already reformed princess and the young king (she learn about his real identity later) have to take refuge from troops, that princess father (old king) has sent (of course he took a bad and mean counsellors advice). They have to take shelter by several ordinary and poor families, which are always very friendly and give them a help... Of course the tale has happy end.
A daughter of a celebrity family experiences a holiday adventure with a mysterious young man. Though she is strongly attracted to him, she is also concerned about his sinister, panicky speech, his fierce charisma.
Master armourer Tomás has young wife Alena, of whom he is very jealous. One day the ruler of town sees Alena and decides to win her over for himself. To get a free hand for his love affairs, he sends Master Tomás to acquire more skills in Flanders. Jealous husband does not know how to secure fidelity of his beautiful wife while he is away, and finally accepts aid of the devil, to whom he signs his soul as a reward. Devil in the disguise of Master Ondrej works in Tomás's workshop and protects Alena against various courtiers and the ruler of town. But finally he falls in love with Alena himself and becomes her lover.
Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.
"Grandmother" is a highly romanticized autobiographical novel by a Czech 19th century writer, Bozena Nemcova. It's a classical, compulsory reading in Czech schools, about a wise, working-class woman, happier in her simplicity and good heart than the nobles whom she serves.
When Vilem appears in the road with an unconscious young woman, it disturbs the peaceful life of three generations of the Balvínova family.
