Theo van Gogh
Twenty-five films from twenty-five European countries by twenty-five European directors.
The film tells the story of four fictional characters played by a single actress wearing a veil, but clad in a see-through chador, her naked body painted with verses from the Koran. The characters are Muslim women who have been abused in various ways. The film contains monologues of these women and dramatically highlights three verses of the Koran that give authority to men over women, by showing them painted on women’s bodies. [wikipedia entry, content, 2014-01-19]
A middle-aged journalist interviews the real-life Dutch star Katja Schuurman, in her own loft. Pierre, the journalist is annoyed at being given such a fluffy assignment, as he is normally a political correspondent. Initially he has no questions for Katja, but soon they are coaxing their darkest secrets out of each other.
A political thriller about PvdA-frontman Frits Aalbers who gets involved with a mysterious murder in a hotel. To make sure his political career will not be damaged - an important coalition is at stake - the master politician tries to hide the truth no matter the cost. The ambitious young journalist Barbara van Dalen is trying to get a scoop on the impeding coalition, but accidentally stumbles upon the trail of the murder.
The film tells the story of six mental cases, trying to get rid of society's norms and values by kidnapping Gerard van Dongen, a well-known TV host. During an improvised TV show, the terrorists confront this Van Dongen with their darkest thoughts and emotions, resulting in violent excesses and extreme sexual behavior.
While still living in Amsterdam under his birth name 'Ian Kerkhof,' Aryan Kaganof co-penned the script for his friends Victor Nieuwenhuijs and Maartje Seyferth's debut feature Venus in Furs (1995), which is undoubtedly the most faithful cinematic adaptation of the S&M-themed Leopold von Sacher-Masoch novella of the same name. A number of years later after moving back to his homeland of South Africa, Kaganof directed his own tribute to Sacher-Masoch's classic work.
The Kourdic poet Ibrahim Aziz is suspected of being a member of the Kourdic Marxistic Leninistic Front and enlists the help of his lawyer Wies to receive political asylum in the Netherlands.
A bartender watches with amusement as two strangers meet and duel verbally in his bar. Katya, a former dancer, is trying to forget the death of her young daughter. Pom, a comedian known for his verbal thrust and parry, tries to charm, shock and disgust his date in turn.
Sarah, 30, single, well educated, likes art, places a voice ad for phone sex, inviting replies from men under 35, sturdy and sensual. Wilbert, a chubby middle aged architect, leaves a message that he is Thomas, 32 and well formed. A week later, she phones. She likes his voice, he likes her laugh, so once a week she phones him (he's not to know her last name, where she lives, or her number). Portraits emerge of humor and sadness. He presses for details of her life and tells her about his work; she wants these Thursday calls to be fantasy and release, separate from the rest of who she is. The film dramatizes these tensions of lies and truth, connection and distance. Written by
De student Simon (Elik Bargai) is in de hoerenbuurt komen wonen en is helemaal weg van een hoer (Amanda Ooms). Als hij haar te hulp schiet na een mishandeling krijgen zij een verhouding. Hij duikt haar prive leven in en merkt dat onderwereldfiguren (Thom Hoffman en Tom Jansen) achter haar aanzitten.
A black comedy set in the 1960s in a small Netherlands community, populated by a cast of eccentrics, all of whom hold a range of sexual obsessions and frustrated desires.
The film opens with a rubber-clad woman stepping sensuously out of a limousine. The camera lovingly closes-up on her stilletoed foot... She enters a dark desolate warehouse, and meets two men, who proceed to chain her up and worship her body. Originally projected on three screens simultaneously. Music by legendary noise musician Merzbow.
After Bernd (Cas Enklaar) picks up his daughter Walyne (Tara Fallaux) who lives with her mother, he takes her off for a supposed day of fun together. His idea of fun is to get his hands on as much free alcohol as he can, and as a result of his carelessness he and his daughter are constantly separated. Each time they reunite, he finds a new group of people for a few more drinks, and another round starts -- as a consequence, there is no build-up to the climax at the end.
