Thérèse Liotard
Married for three years, Pierre and Marion are now divorcing. During umpteenth mediation with the judge, both explained how their love for each other faded away little by little.
A businessman convicted of a white-collar crime becomes a changed person upon his release from prison.
At the beginning of the holiday all the misfortunes seem to fall on young Ludivine who is barely 13 years old but sad as if she is one hundred.
A worldly French teen is determined to escape from her current situation for a better life.
French adaptation of Marcel Pagnol's memoirs of his childhood in the countryside, early in the century.
My Mother's Castle (Le chateau de ma mere) is a sequel and companion piece to My Father's Glory (La Gloire de Mon Pere), both based on the childhood recollections of Marcel Pagnol. Like its predecessor, the movie explores the adventures of the young Marcel (Julien Ciamaca) during his summers at the family summer home in Provence.
Martial (Daniel Auteuil) is discharged from a mental insitution where he spent a few years due to a serious nervous breakdown. During his hospitalization, he ceases to speak with everyone, including his wife Régine (Thérèse Liotard), whom he had encouraged to find a new partner soon after entering the clinic. Upon his return he finds his mother (Danielle Darrieux), a busy business woman who owns a supermarket chain. She's convinced that his son, whom by now hardly talks to anyone after his experience, will be able to find himself again if tasked with some responbibilities. Soon enough, he's sent to Limoges on a business trip to check on one of their stores in the hope to reinvigorate its failing business. Once he arrives, Martial is faced with responsibilities he had never imagined, including dealing with the store's personnel.
Like many uninsightful fathers, Nicola is very ambitious and hardworking and perceives himself to be a failure. He has persuaded himself that the only good thing his thirteen-year-old son can possibly do is to work harder and smarter than he himself did, so that he, at least, can fulfill his father's dreams. This end justifies any number of beatings and scoldings, along with constant admonitions to study hard and work hard. As might be expected, this abuse has no effect whatsoever, as it is not based on the boy's own ambitions, which include becoming a championship runner. Despite his mother's attempts to protect him from his aggressively insensitive and stupid father, he gets shipped off to work with some rope manufacturers, who can be counted on to work him like a dog.
Journalist Meredith travels to Europe to do a story on vineyard owner Francois De Paul and won't stop until she learns his secrets.
In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.
In this story of friendship and reproductive rights, 14 years in the relationship between two very dissimilar women are chronicled. Pauline is a middle-class city girl, at odds with her very conventional family. Suzanne is several years older, a country girl with two illegitimate children and another (whom she cannot support) on the way. Pauline loans Suzanne money for an abortion. At this point, the two separate and communicate mainly through postcards. Some years later, they meet at an abortion rally, and they have many adventures and stories to share with one another.
A documentary about French film director Agnès Varda on the set of her 1977 film ONE SINGS, THE OTHER DOESN'T. It includes interviews with Varda and the lead actors in the film.
Made at a time when Iran had a seemingly revolving door for incoming European directors and bottomless funding for their projects, Plaisir d'amour en Iran is a short, sort of love story between a handsome Iranian (Ali Raffi) and a visiting French woman (Valérie Mairesse). The film was shot at the Shah Masjed in romantic Esfehan.
Starting as an investigation, the film begins with the discovery of a murdered young woman. Gradually we go back in time to realize that this crime is altogether the logical continuation of a philosophy of life where neither sex nor death are taboo, and where a lust for pushing limits meets it ultimate conclusion.
