Thomas Arslan
A father tries to rekindle his relationship with his son after years of absence and lack of communication. He takes him on a car ride across northern Norway, hoping it is not too late.
Canada, the summer of 1898. A group of German settlers travel towards the far north in covered wagons with packhorses and their few possessions in tow. The seven travellers set off from Ashcroft, the final railway station. Along with their leader, flamboyant businessman Wilhelm Laser, they are hoping to find their fortune in the recently discovered goldfields of Dawson, but they have no idea of the stresses and dangers which lie ahead on their 2,500 kilometre journey. Before long uncertainty, cold weather and exhaustion begin to take their toll and conflicts escalate. The journey leads these men and women deeper and deeper into a menacing wilderness. (Berlinale.de)
"In the Shadows" slithers through underworld Berlin in grand style. En route to a twisty finale, German writer-director Thomas Arslan keeps his audience glued to the increasingly desperate actions of Trojan, a thirtysomething career criminal whose latest job slowly catches up with him.
All summer long, a group of people circumnavigate each other. A group of people who are so close and yet so alienated from one another. Their isolated holiday home is the site for a resurgence of smouldering conflicts and lifelong illusions that threaten to wreck the family’s fragile unity forever.
Aus der Ferne is a personal travelogue, a documentary about a trip through Turkey. Thomas Arslan, who filmed the journey himself, undertook the trip in May/June 2005. The route takes him through Istanbul and Ankara to Gaziantep in the southeastern part of the country, from there further eastwards via Diyarbakir and Van to Dogubayazit near the Iranian border. The film describes moments during the journey that differ from the usual motifs that inform the image of present-day Turkey – from impressions of day-to-day life in such Western cities as Istanbul and Ankara all the way to regions in the country’s easternmost territory that were locked in battle until recently.
A day in the life of the 21 years old Deniz, who aims to become an actress and makes her living by dubbing movies. After she has split with her old boyfriend she gets to know Diego and spends the evening with him.
Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand.
Thomas Arslan's second feature film and part of his Berlin-trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the every day life, domestic conflicts, dreams and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district.
In Essen, four ordinary teenage Death Metal fanatics are looking for the best way to kill time. There are girls, cigarettes, drive-ins and petty larceny but nothing moves the needle.
On the run from her criminal Italian husband, a young French woman meets a German lover in West Berlin who offers her shelter but who also gets entangled in her threatened life ever deeper.
