Thomas Goersch
The radical Polish director Małga Kubiak is regularly represented with her films at the Pornfilmfestival Berlin. In 2016 we showed “Andy Warhol to se vrati: boyz” and in 2019 followed “Federico Garcia Lorca Noir Despair”. Last year she was in the festival program with “Xreens”. In her latest film “D’Vinci”, the filmmaker again reflects on a famous artist. As expected, it did not turn out to be a typical biopic, and Kubiak dives deep into the meaning that her films and her way of working have and had for herself and for others – as always in her incomparable no-budget style. In today’s conservative Poland, her way of making films is no easy feat.
A businessman named Brand serves his clients with murder videos. But he does not kill himself, others do the work. Two man has to kidnap a girl from a disability home and to torture her. A marathon of pain and sadism takes its course.
After a mysterious outbreak of the plague in a remote German village a crew of filmmakers tries to uncover the truth.
Judith is a doctor who is very committed to her profession. Aiming to become a cardiologist, she performs part of her residency in a chronically understaffed hospital emergency room. During a particularly difficult shift, she makes a mistake that causes the death of a patient. Judith is devastated and doubts whether she is suited to the profession. Her fellow doctors, including her partner Mark, advise her to just carry on as before. While Judith’s actions are investigated, she is assigned to ambulance duty. Being in a new environment and having some distance to the clinical routine allow her to see things in a new light.
A masked man in a suit gains access to an apartment; secretly, systematically and silently kills everyone present in a bestial way. Unnoticed, he leaves the scene. On a weekend trip some time later, Samantha and her friends realize that this incident was probably not the only one, because the culprit has left a trail of horror. Without further ado, they decide to do some research on the matter themselves, without realizing what they are going to do for a chain reaction. A horrible horror trip begins, because someone plays a deadly game ... Do you trust your friends?
After years Toni and Rosa meet again in their old home village in southern Germany. While the village itself has to adapt to the changes of the future, the two women develop an explosive relationship until they reach a point, where both have to make a decision.
A junkie is willing to die temporarily in order to act as the principal player in a heist of a $13 million diamond necklace.
Ewelina Janiszewska Smolianka Stolnikowna Smolenska & Willhelm 2ed The Hunter, Malga Kubiak great grandmother 1862-1886.
This film shows the last days of Pasolini’s life that he spent in Stockholm. He was invited to visit the Institute of Culture and give an interview in the Swedish Film Institute. Together with his boyfriend Ninetto they stayed in Diplomat Hotel. Where he was murdered at 1.30 a.m. on 2nd November; 1975.
Depicts Carl Andersens uncommon art and life. Born in Vienna, the capital of Austria in 1958, he participated in the development of Viennas subculture through his bar called "Fun Factory". It was a unique place to have some cheap drinks, see strange movies and join concerts in the cellar. He also influenced the Viennese film community by bringing art house and underground movies, like "Liquid Sky" (1982), or "The Texas Chainsaw Massacre" (1973) in uncut versions to the theaters. As he was a film maniac he started to direct movies by himself. His first two movies "I was a Teenage Zabbadoing" (1988) and "Mondo Weirdo - a Trip to Paranoia Paradise"(1990) became underground classics. In the late 80's Andersen went to Berlin. There he directed and produced more than 10 No-Budget movies. Diffic ult relationships and the process of filmmaking itself were his main themes. He got lost in alcoholism and committed suicide in August 2012.
Four men’s destinies slam into each other and intertwine on four balmy summer nights. Old wounds are reopened, new ones appear, unexpectedly there is a new closeness. And, when the sun rises over the city and the striking garbage men, finally ensure German order again, nothing is the same for these four men.
Damon is 27 years old, tattooed, sports a Mohawk haircut and works as a prostitute. Actually, at his age, he is almost too old for all of this and soon he will have to decide whether to remain part of that milieu and eventually destroy himself or find a way out.
Isabell and Rafael are going on holiday. On their trip, they pick up young Lisa, who is completely unaware of Rafael’s violent vein, and of his passion for humbling others.
