Tom Burstall
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
Tasmania, 1954: Slovenian migrant Melita abandons her husband and young daughter, Sonja. Sonja's distraught father perseveres with his new life in a new country, but he is soon crushed into an alcoholic despair, and Sonja herself abandons him at the earliest opportunity. Now, nearly 20 years later, a single and pregnant Sonja returns to Tasmania's highlands and to her father in an attempt to put the pieces of her life back together.
After discovering that a group of car thieves may have something to do with his father's untimely death, Steve pursues the criminals and attempts to capture them as well as prove his prowess as a racecar driver.
When a suburban couple go camping for the weekend at a remote beach, they discover that nature isn't in an accommodating mood.
