Tom DiCillo
When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, Bloodhounds of Broadway. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of Burroughs: The Movie, his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy.
A seven year project involving filming on NYC subway. Camera observes people and events unaware they are being filmed. Emotional, intimate and deeply human. All done by director Tom DiCillo. He shot, edited and mixed the film by himself with the aim of making a film without any financial or marketing restrictions.
The documentary, Kingdom Come follows a first-time director (Daniel Gillies) as he tries to raise a million dollars to finance his first film, Broken Kingdom. This emotionally-charged journey is interwoven with over 30 rare interviews from acclaimed indie darlings including Mark Ruffalo, Illeana Douglas, Don Cheadle, Kevin Smith, Edward Burns, Tim Roth, Morgan Spurlock, Selma Blair, Robert Townsend, Bill Pullman and many more.
The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America's most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison's death in 1971, it follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.
Les, a small-time celebrity photographer desperate to make it big, befriends Toby, a homeless young man with no direction except a vague desire to become an actor. When by chance, Toby becomes romantically involved with K'Harma Leeds, the hottest pop star of the moment, Les grows jealous and plots revenge.
Coffee And Cigarettes is a collection of eleven films from cult director Jim Jarmusch. Each film hosts star studded cast of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.
A short behind-the-scenes documentary shot by Tom Jarmusch while his brother filmed Stranger Than Paradise (1984).
Ray Pluto has many problems. He is satirized in the tabloids as the "loser cop." His partner is starting to seem suspiciously attracted to him. A pair of screenwriters across the hall keep bugging him for help. The superintendent of his building is stabbed by hoodlums hired by his own rebellious daughter. To top it off, a sexually aggressive chiropractor may just be Ray's undoing.
Filmmaker's at the Sundance Film Festival discuss what it is like to be an independent filmmaker, and what Sundance has done for them.
An aspiring actor and his girlfriend handle life's frustrations, while his friend seeks fulfillment with a blonde.
Al Fountain, a middle-aged electrical engineer, is on the verge of a mid-life crisis, when he decides to take his time coming home from a business trip, rents a car, and heads out looking for a lake he remembers from his childhood. But his wandering takes him into the life of Kid, a free-spirited young man who helps Al escape from the routine of everyday life and find freedom to enjoy himself.
Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography and lousy catering. Divided in three acts, each representing a different scene to shoot, this film is an essential for amateur filmmakers.
Michael Almereyda discussing the future of film with various directors at Sundance.
A struggling young musician and devoted fan of Ricky Nelson wants to be just like his idol and become a rock star.
A brother and sister, sitting in a coffee bar, bicker mildly about whose idea it was to come to Memphis and which kind of cigarette is fresher. Danny, their waiter, comes by offering refills; after determining they are twins, he guesses which is the evil one. Without a pause, he sits down and offers his theory about Elvis's twin. He drones on. The good twin finally speaks up, giving her own opinion. The waiter is unfazed. After his boss finally calls him back to work, the twins are free to resume their bickering amidst the coffee and cigarettes.
Kumi lives a hippie-like life in Tokyo's outskirts. One night while beeing drunk drunk she stumbles into an abandoned industrial site, as before, except deserted factories also is full of forests and greenery. She decides to move there, even further away from the civilization she had already left.
Robert Wilson and the Civil Wars is an in-depth documentation of Robert Wilson’s ambitious attempt to stage an epic, twelve-hour, multinational opera for the 1984 Summer Olympics. Filmmaker Howard Brookner follows the avant-garde theatre director as he confronts a hectic work schedule, funding difficulties and relentless international travel in attempt to complete his preparations. The film examines Wilson’s unique theatrical style during The Civil Wars: A Tree Is Best Measured When It Is Down, which involves the continual creation of evocative stage sets, owing to a unique juxtaposition of movement, sound, text and image. Known for his precise, painterly images Wilson’s work derives more from visual art than the orthodox literary traditions of theatre. As a result, Wilson often challenges actors to perform in a boldly minimalist style, as well as collaborating with non-actors, such as young autistic poet Christopher Knowles in Einstein on the Beach.
The story involves nine upwardly mobile Manhattanites, all of whom receive a chain letter. Depending on their decision to either pass the letter on or to break the chain, the various characters encounter romance, fulfillment--and sudden death.
Rootless Hungarian émigré Willie, his pal Eddie, and visiting sixteen-year-old cousin Eva always manage to make the least of any situation, whether aimlessly traversing the drab interiors and environs of New York City, Cleveland, or an anonymous Florida suburb.
Documentary on American film director Jim Jarmusch made for German television.
An exploration of Burroughs’ life story, as told by Burroughs himself along with many of his contemporaries, including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and William Burroughs Jr.
In downtown Manhattan, a twenty-something boy whose Father is not around and whose Mother is institutionalized, is a big Charlie Parker fan. He almost subconsciously searches for more meaning in his life and meets a few characters along the way.
The Sunset Blvd. of underground cinema, and a suitably ambivalent retrospect on the star-game casualties of New York's upper depths, with Patti Astor statuesquely hysterical as a 20-year-old Norma Desmond, made up to recall Edie Sedgwick and surrounded by Warhol's lost children. We've been here before, but without the hindsight: a camera cruise along a hustler's meat-rack, kitchen-talk over cold canned spaghetti, Taylor Mead grimacing in a spastic dance, the silent stud a sullenly passive observer. Mitchell's ear for campy native wit and eye for figures in a loft-scape happily keep at bay the otherwise contagious NY ennui.
