Tom Stoppard

Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.

Alan Clarke's documentary about Soviet writer and dissident Vladimir Bukovsky, who had left the Soviet Union in 1976 after years spent in their prisons and psychiatric wards. The film was completed in 1977 but never broadcast, subject only to private screenings. The documentary appears publicly for the first time as a special feature of the BFI's 'Dissent and Disruption: Alan Clarke at the BBC (1969-1989)' box set, alongside 50 minutes of outtakes.

Acclaimed playwright Tom Stoppard (Shakespeare in Love, Arcadia, Rosencrantz and Guildenstern are Dead) returns to the National Theatre with his highly-anticipated new play The Hard Problem, directed by Nicholas Hytner (Othello, Hamlet, One Man, Two Guvnors). Hilary, a young psychology researcher at a brainscience institute, is nursing a private sorrow and a troubling question at work, where psychology and biology meet. If there is nothing but matter, what is consciousness? This is ‘the hard problem’ which puts Hilary at odds with her colleagues who include her first mentor Spike, her boss Leo and the billionaire founder of the institute, Jerry. Is the day coming when the computer and the fMRI scanner will answer all the questions psychology can ask? Meanwhile Hilary needs a miracle, and she is prepared to pray for one.

This absolutely top-notch documentary by Robert Fischer is a fascinating look back at not just the film in question, but Fassbinder's meteoric career which ended all too soon with his untimely death. Archival footage of Fassbinder is utilized (including several fascinating snippets culled from interviews he did at the disastrous Cannes premiere of Despair), as well as many others involved in the film and its release. Even if you're not a particular fan of Despair, or even in fact of Fassbinder, this is stellar documentary film making and is an intriguing look at one of the most enigmatic masters of the New German Cinema.

Sir André Previn, born in Berlin in 1929, figures among the most prominent musicians of the 20th and early 21st centuries. He won four Academy Awards for his film scores, he composes concertos, musicals and operas. He conducts, arranges music, and is a renowned pianist, as well as a jazz musician. Previn’s first opera, ‚A Streetcar Named Desire’, based on Tennessee Williams’ play, successfully premiered in San Francisco, in 1998. Our film mirrors Sir Previn’s affinities to Europe as well as to the United States. He is at home in both worlds, with their rather different cultural realities.

What is this film called Brazil? Find out in this witty documentary.

Private eye Philip Marlowe and his bride move to a desert town, where he uncovers a land scheme.

A fictionalized autobiographical play written by Czechoslovakian playwright-turned-president Vaclav Havel in 1984 upon his release from a four-and-one-half-year prison term for political subversion. The play focuses on two days in the life of a dissident writer who is awaiting the knock at the door that may send him to prison.

In Stoppard's "LeCarrecature, Rupert Purvis jumps off a bridge onto a dog, and causes problems for Blair, his superior at MI5. And Blair must convince Hogbin, the agent who's been tailing Purvis, of which side Purvis is really on--once he finds out what it is.

Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirits, providing a beacon of hope for the others held captive with him.

An account of how Lech Walesa and the "Solidarity" trade union confronted the might of Communist dictatorship in Poland.

When their boss goes off to Vienna to dine with his fiancé, his clerks decide this may be their last chance for an adventure (razzle) and head for the Big City. Zangler must cancel his plans, as his niece has run off with her boyfriend. Naturally, soon everyone is running into everyone else!

Every Good Boy Deserves Favour is a stage play by Tom Stoppard with music by André Previn. It was first performed in 1977. The play criticizes the Soviet practice of treating political dissidence as a form of mental illness.[1] Its title derives from the popular mnemonic used by music students to remember the notes on the lines of the treble clef.

Germany in the early 1930s. Against the backdrop of the Nazis' rise, Hermann Hermann, a Russian émigré and chocolate magnate, goes slowly mad. It begins with his seating himself in a chair to observe himself making love to his wife, Lydia, a zaftig empty-headed siren who is also sleeping with her cousin. Hermann is soon given to intemperate outbursts at his workers, other businessmen, and strangers. Then, he meets Felix, an itinerant laborer, whom he delusionally believes looks exactly like himself. Armed with a new life insurance policy, he hatches an elaborate plot in the belief it will free him of all his worries.

Three philosophy professors travel to Prague for a conference. One of them, Anderson, is forced to rethink his ideas on ethics when a former student is arrested by the Czech authorities for writing about individualist approaches to morality.

The play centres on the figure of Henry Carr, an elderly man who reminisces about Zürich in 1917 during the First World War, and his interactions with James Joyce when he was writing Ulysses, Tristan Tzara during the rise of Dada, and Lenin leading up to the Russian Revolution, all of whom were living in Zürich at that time.

One hot June day, three friends decide there is nothing they would like to do more than to get away from London. A boating holiday with lots of fresh air and exercise would be just the very thing, or so their doctors tell them. So, after debating the merits of hotel or camp beds and what to pack, they set off on their voyage - a trip up the Thames from Henley to Oxford - but very quickly find themselves ill-equipped for the trials of riverbank life. Comedy drama written by Tom Stoppard (based on the novel by Jerome K Jerome). Stars Michael Palin, Tim Curry and Stephen Moore.

A lexicographer's room gets trashed and notes scattered just as he was in the process of compiling a dictionary.

An allied agent is sent out into an obscure country to find a Russian Agent who has been thrown out of Russia for defection. He finds a broken man who drowns his days in drink, and feels sympathy for him.

An early version of Jumpers - nothing happens at random - Doollee

Thirty-Minute Theatre is an anthology drama series of short plays shown on BBC Television between 1965 and 1973, which was used in part at least as a training ground for new writers, on account of its short running length, and which therefore attracted many writers who later became well known. It was initially produced by Graeme MacDonald. Thirty-Minute Theatre followed on from a similarly named ITV series, beginning on BBC2 in 1965 with an adaptation of the black comedy Parsons Pleasure. Dennis Potter contributed Emergency – Ward 9, which he partially recycled in the much later The Singing Detective. In 1967 BBC2 launched the UK's first colour service, with the consequence that Thirty-Minute Theatre became the first drama series in the country to be shown in colour. As well as single plays, the series showed several linked collections of plays, including a group of four plays by John Mortimer named after areas of London in 1972, two three-part Inspector Waugh series starring Clive Swift in the title role, and a trilogy of plays by Jean Benedetti, broadcast in 1969, focusing on infamous historical figures such as Adolf Hitler and Joseph Stalin.