Tónan Quito

The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.

6.7/10
8%

The economic crisis, a teddy bear with suicidal tendencies named Judy Garland, the Discovery Channel, a black panther and the Russian playwright Anton Tchekhov are all part of the heroic adventure of a little girl who has a problem to solve.

7.6/10

Sara is a portuguese actress who only works in film and is known for her ability to cry on cue. But one day her eyes dry up just like her interest in cinema. The solution? Soap operas.

3.6/10

Political comedy series about the political advisers of the ministerial cabinets and the opposition and their connivance with economic and political interests that determine how decisions are made.

7.6/10

A mockumentary with an actual documentary inside, tells the unusual story of Artist António André's (Triple A). With Arcos de Valdevez, a portuguese northern village, as background, it questions the relevance of art in our time.

Antonio decides to break free of his mundane existence and rents a silver convertible to take his wife on a dream vacation. Everything seems perfect. Except he doesn't know the way.

6.8/10

Humberto hanged himself. Catarina, Paulo and Victor want the company where Humberto used to work for to take responsibility in his death, leading them to kidnappe the company’s director in an act of despair. Who is Humberto? What company is that? In which paths will he take us, after his death? Cinerama is an edgy, enigmatic, but not distant film that brings up genres of cinema as well as other forms of art like dance, theatre and poetry. The film reflects ways of being in life.

4.5/10

An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?