Tonie Marshall
On the occasion of Jean Paul Gaultier's 40-year career and his show "Fashion Freak Show" at the Folies Bergère, France 2 has given carte blanche to the most famous French couturier of the world who has created for the first time a great show of varieties fully immersed in his universe. Jean Paul Gaultier who, in his childhood, dreamed while watching the variety shows of Maritie and Gilbert Carpentier, takes the reins of this great entertainment mixing music and fashion.
A brilliant and determined female engineer is approached by a network of powerful women with an offer to help become the head of a CAC 40 firm. The conguest, which was at first thrilling, turns to complete war with the men who still dominate.
A romantic comedy about two Parisian therapists who are so obsessed about getting into the sack with anyone they meet, they can’t ever get it on with each other.
Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.
"Resumption of a play created in 1983. Two shipwrecked people on a makeshift raft in the middle of a social conflict, a mountaineering fight on Mount Paterhorn, improbable friction between two men and a woman in the Yvelines ... The places, the situations change, but each time there is a confrontation. The question is not so much who will win, but to take pleasure in the arguments provided by the opponents. Cunning, bad faith, all blows are allowed in what is primarily a fight of words. "
Francois Cluzet and Karin Viard are the couple behind a French shopping channel whose business and marriage are both drifting towards the rocks, with Nathalie Baye as a smiling Rottweiller out to steal their business by conning them into offering a duff product, the 'Fear Eliminator,' and picking up the network for pennies in the ensuing financial fallout.
People and life can be cruel, and in their face, Fannette is cool: toward an old acquaintance, to her daughter, to colleagues. Beneath the surface, she roils with passion for a lost love, Philippe. She watches "An Affair to Remember" again and again, and when she receives a letter from Philippe asking her to meet him atop the Empire State Building, she swoons. She's writing a book on an aged painter, so she organizes a trip to New York ostensibly to secure photographs of some of his pieces. The publisher assigns her a photographer, Matt, on the surface spontaneous and flip, but also aggressive about his attraction to her. Will she be with the one she loves? Will she smile? Written by
Madam Nadine manages with pride the "Vénus Beauté" Salon which offers relaxation, massage and make-up services. The owner and her three beauticians: Samantha, Marianne and Angèle are pros. Contrary to her friend Marianne, who still dreams of the big day, Angèle no longer believes in love. Marie, the youngest of the three employees, discovers love in the hands of a sixty year-old former pilot, who risks everything...
Michel and Juliette have just broken up over Michel's affair with the much younger Romance. Alice and Nicolas are still together, but maybe this is because Nicolas does not know of Alice's affair with handsome sports photographer Gaspard. This sly sex comedy, the sophomore effort of Belgian filmmaker Lucas Belvaux, follows the covert sexual misadventures of the troubled foursome.
A private eye finds that her professional and personal lives are beginning to intertwine in this French drama. Maxime Chabrier (Anémone) is a woman in her mid-40s who works as a private detective. Despite her chain smoking and sloppy appearance, Maxime is regarded as a skilled investigator by her colleagues and considered the best PI at her agency by her boss. While Maxime has romantic dalliances with both men and women, she hasn't been involved in a long-term relationship since she left her husband 15 years ago. However, Maxime is hired to look into a case that suggests that her former husband has become involved with insurance fraud, which brings her into contact with her 17-year-old son Baptiste (Gregoire Colin) for the first time since the divorce. Just as Maxime is trying to mend fences with her son and find out what her ex has gotten himself into, she finds herself falling in love with Jacques (Michel Didym), an economist.
In this romantic farce, former opera-singer and current music festival organizer Hermance (Judith Magre) is married to Charles-Henry (Jean Roquel). However, she still has a passion for her former lover Simon (Carlo Brandt), but he has a thing for Francoise (Sabine Haudepin). Meanwhile, Nathalie (Tonie Marshall) keeps trying to put the moves on Hippolyte (Jacques Bonnafe), who is either unaware of or is ignoring her efforts, while her lackluster former lover Christian (Michel Gauthier) looks on and stays out of the whole mess. Who comes out the worst in this deal? Naturally enough, it's Christian, the fellow who has, for good or ill, kept the most distance from it, when Hermance, who seems jealous of everyone, tries to get even with Simon for running off with Francoise. Don't worry, it's supposed to be confusing.
A miraculous mushroom is discovered by a film director's daughter.It would be used to cure an actress.
In this frothy comedy, Lucie never knew her father, but she somehow finds out he has recently died and is to be buried on a certain day at a certain cemetary. In a belated attempt to connect with her roots, she rushes to the cemetary and joins a funeral gathering. She gets to know the people at the ceremony and is soon embroiled in an art smuggling scheme and has some (probably incestuous) romantic feelings for a young man she believes may be her brother. Eventually she finds out that she went to the wrong part of the cemetary and that these people are not her kin.
How couples unite, interact, separate, reunite or find other partners. The links in this chain begin with Christian and Nathalie, who are coworkers and friends. Christian discovers that his lover Francoise is having an affair, and Nathalie advises him to give his feelings some time to heal, about two years. Nathalie is angry that her lover Mark does not want to see her more often, while he is jealous of the men in her past. Meanwhile, Francoise finds out that her new lover is not that interested in her anymore, and after they split, she encounters him with someone else. As romance fluctuates like the lunar tides, the myth of one true love takes a beating.
This slice-of-life drama about an elderly couple and their estranged son covers twenty-four fateful hours that begin with the usual daily routine for the retired pair of former teachers (Micheline Presle and Claude Pieplu). Then their son telephones to say he will be coming over with his girlfriend and the normal pattern is changed, as he visits them rarely. While the mother is obsequious to her son when he arrives, past hurts and resentments bubble up during lunch, making it difficult for the son to tell them he is getting married. This is news enough, but the effect that announcement has on the son and his fiancée is unexpected and events later on in the day take a turn for the worse.
In Montmartre, Paris, two friends are leading a happy carefree Bohemian existence. Jean-Luc is a cabinetmaker, Mathieu is a sculptor. Then they both meet the love of their lives and decide to get married. Unfortunately, the objects of their desire are not so eager to be drawn into matrimony.
The story centers around a graduating class of "less-gifted" students in a private Versailles high school. Only a miracle has brought the students this far along, and after a practical joke misfires and the whole school is dynamited, the students are in deep trouble. They have to present themselves in court for their punishment and it could not be worse: If they don't pass their high-school graduation exams, they go to prison!
Rien ne va plus is a series of comedy sketches of disparate quality, on the social, cultural, and political foibles that make the French, French. Various settings and character types are given a once-over, including pseudo-intellectuals, punk bikers, right-wingers, and patrons of a low-end cafe.
