Tony Vogel
Napoleon, exiled, devises a plan to retake the throne. He'll swap places with commoner Eugene Lenormand, sneak into Paris, then Lenormand will reveal himself and Napoleon will regain his throne. Things don't go at all well; first, the journey proves more difficult than expected, but more disastrously, Lenormand enjoys himself too much to reveal the deception. Napoleon adjusts somewhat uneasily to the life of a commoner while waiting, while Lenormand gorges on rich food.
A baby is born from a supposed-to-be virgin woman, so a chain of hysteria about divine intervention in the birth takes place.
The daughter of a weird archaeologist is about to graduate from school, and she’s already thinking about the holiday she wants to spend with her dad. For some reason, this holiday will never happen, so she starts dreaming about a journey full of adventures while venturing unknown lands.
Bradamante, a woman wearing an invincible suit of armor, is travelling the countryside at the time of the Crusades. After ending up in the middle of a web of romantic and cultural tangles, she finds herself in love with a Moor prince, while one of the Christian knights has fallen in love with a Moor princess. Others, however, are against the cross-cultural romance, and Bradamante's love is soon forced into a duel to the death. Will she ever be with her true love? Written by Jean-Marc Rocher
Marco Polo is an American-Italian television miniseries originally broadcast by NBC in the United States, by Antenne 2 in France and by RAI in Italy in 1982. It starred Kenneth Marshall as Marco Polo, the 13th-century Venetian merchant and explorer. The series also featured appearances by Denholm Elliott, Anne Bancroft, John Gielgud, Ian McShane, Leonard Nimoy, and others. It was originally broadcast in four episodes, where episodes 1 and 4 were twice as long as episodes 2 and 3. The series is sometimes divided into six equally long episodes.
When Dr. Indiana Jones – the tweed-suited professor who just happens to be a celebrated archaeologist – is hired by the government to locate the legendary Ark of the Covenant, he finds himself up against the entire Nazi regime.
Damien Thorn (Sam Neill) has helped rescue the world from a recession, appearing to be a benign corporate benefactor. When he then becomes U.S. Ambassador to England, Damien fulfills a terrifying biblical prophecy. He also faces his own potential demise as an astronomical event brings about the second coming of Christ.
The Crucifixion of Christ seen more from a political and historical point of view than a spiritual one.
A knight returns home from the Crusades to find his village devastated by disease and his family gone. He roams the forest searching for them, until he finds a mysterious maiden who is being held prisoner by a black knight. In order to free her, he must confront her captor.
A low-ranking Secret Service agent is conned into supplying information to Eastern Bloc countries. Although he is not a suspect due to his unimportant position, when his office partner is hauled in as a suspect he realises he has got himself into very deep water.
Period action adventure series. Dick Barton is demobbed after six years in the army and sets himself up as an adventurer helping people in need.
Dramatizes the birth, life, ministry, crucifixion, and resurrection of Jesus largely according to the Christian Bible's New Testament Gospels.
An Indian discovers plans to assassinate the president when he was investigating another murder.
Satire about the First World War based on a stage musical of the same name, portraying the "Game of War" and focusing mainly on the members of one family (last name Smith) who go off to war. Much of the action in the movie revolves around the words of the marching songs of the soldiers, and many scenes portray some of the more famous (and infamous) incidents of the war, including the assassination of Duke Ferdinand, the Christmas meeting between British and German soldiers in no-mans-land, and the wiping out by their own side of a force of Irish soldiers newly arrived at the front, after successfully capturing a ridge that had been contested for some time.
Influenced by concerns about overpopulation, the counterculture of the 1960s and the societal effects of television, the play depicts a world of the future where a small elite control the media, keeping the lower classes docile by serving them an endless diet of lowest common denominator programmes and pornography. The play concentrates on an idea the programme controllers have for a new programme which will follow the trials and tribulations of a group of people left to fend for themselves on a remote island. In this respect, the play is often cited as having anticipated the craze for reality television.
