Tullio Carminati
A young Catholic priest from Boston confronts bigotry, Naziism, and his own personal conflicts as he rises to the office of cardinal.
A 16th-century Spanish overlord hires Thomas Stanswood (Stuart Granger) to protect his, less than eager, fiancee (Sylva Koscina) from rebels. Thomas finds himself drawn to both the fiancee and the rebels side.
A European princess jeopardizes her crown when she falls for an American millionaire.
Napoleon's tumultuous relations with Russia including his disastrous 1812 invasion serve as the backdrop for the tangled personal lives of two aristocratic families.
Giovanna d'Arco al rogo (English: Joan of Arc at the Stake) is a 1954 Italian film directed by Roberto Rossellini and starring his wife Ingrid Bergman, which shows a live performance on December 1953 at the San Carlo Theatre in Naples. The film takes place mostly in a surrealistic fantasy around the time of the execution of Joan of Arc. Joan of Arc, played by Ingrid Bergman, is being burned alive for heresy. In a kind of dream state, she departs from her body and begins to look back upon her life. She begins this journey in a depressed and demoralized state. However, a priest appears to help guide her. First, he shows her those that accused her in the guise of animal characters, in order to show her their true nature. Then, he shows her the good that she has performed for people. In the end, she is proud of what she has done and is ready to face the flames.
Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.
Henri Faust, retiring after 50 years as a professor in a circa-1700 French university, despairs at the ravages of old age ... whereupon Mephistopheles, agent of Lucifer, appears as a virile, handsome young man and exchanges bodies with him to induce Faust to sign a pact to exchange his soul for renewed youth, riches and power. But though the "new" Faust is attracted by the material improvements in his life, he remains wary of signing, while Mephistopheles, now posing as the aged professor whose body he inhabits, must find a way to trick him into signing the pact - and dissuade him from the love of a gypsy girl who prays for his soul - or find himself damned by his own Master...
Patricia (Phyllis Calvert) throws away a painting members of her Italian village consider to be extremely lucky. She goes to great lengths in her attempts to locate it again and bring it back.
This adaptation of Stendhal's timeless masterpiece of French literature tells the tale of Fabrice Del Dongo (Grard Philipe) a young archibishop who gives his heart and soul to romance rather than to the Church creating upheaval in the lives of evergone around him the Countess of Sanseverine (Maria Casares) is but one of the may women who love him. In turn she incurs jealous retributions from those in high places who desire her. For his crimes Fabrice is thrown in Prison where from Crimes Fabrice is thrown in prison where form his lonely window he falls in love with his jailer s daughter and plans a daring escape she however calls his plan insane and takes a vow to the Virgin Mary to never see him again ever if his escape succeeds the Charterhouse of Parma explodes with conflicting desires man s desire form God vs. his desire for romance.
An American composer moves to Italy and falls for a local country girl right before the start of World War II.
Jacqueline intrigues a diplomat, so unbeknown to her he finds her an apartment and finances her musical training. She ends up falling in love with one of his underlings. It turns out that he is no good, will the diplomat save her?
The Three Maxims are trapeze artists Pat (Anna Neagle), Toni (Tuilio Carminati) and Mac (Leslie Banks). After spending most of their careers in the small time, the threesome finally get their big chance in Paris, at which point Mac realizes he's in love with Pat.
Nick Kerry (Tullio Carminati) is a rich rounder who holds tremendous fascination over women......mainly because he is rich and has his own yacht. At Monte Carlo one evening he romances Kay Routledge (Lilian Harvey), a romantic young and gullible American girl. She takes the dilettante seriously and when he sails away on his yacht, she is heartbroken. But the memory of her haunts him, and brings him back from India and the arms of another woman,Countess Margot de Legere (Tala Birell),only to find Kay now engaged to his friend. Oh, what's a rich guy to do?
Afraid of marriage, Simone (Mary Ellis) breaks off her long term engagement with her fiancé Paul de Lille (Tullio Carminati). Paul heads to the top of The Eiffel Tower with thoughts of suicide. In another part of Paris and also afraid of marriage, Mignon (Ida Lupino) breaks it off from her young lover (James Blakely). Despairing, Mignon also climbs to the top of the The Eiffel Tower intending to leap to her death. There she meets Paul and the two compare stories. After discussion, Paul dissuades her from leaping and the two conspire to make their respective partners jealous by pretending to have an affair with each other.
A singer marries a famous composer, and after a while she gets the itch to go back on the stage. However, her husband won't let her. When she hears that a popular French singer named "Raquel" is coming to New York, she decides to go to Raquel with a plan--unbeknownst to her husband, "Raquel" is actually her sister, and her plan is for them to switch places so she can fulfill her dream of going back on the stage. However, things don't go quite as planned.
Mary Barrett is an aspiring Opera singer who is taken under the wings of a famous operatic maestro, Guilio Monterverdi. After spending endless working hours together and arguing, their relationship develops into love. But, jealousy and misunderstandings prevent Mary and Guilio from acknowledging their true feelings.
Unwed mother gives up baby for adoption and hopes to get it back when the adoptive mother dies.
A woman allows her husband, who she knows no longer loves her, to believe that she has been killed in a train wreck. Her husband later finds her as a hostess in a gambling den.
An American dancer on a tour of pre-Boleshevik Russia falls for a young army officer, and the feeling is mutual. However, the officer's father is the Grand Duke of Russia, and he has designs on the girl himself--not letting a minor detail like his already being married bother him--and refuses to let his son marry her.
