Udo Witte

The unemployed taxi driver Klaus (Jörg Schüttauf), the gay dog sitter Uwe (Sönke Möhring) and the strict nurse Inge (Marie Gruber) did not have an easy childhood. Her mother died too early, the father then gave her home. Now the old man has died and for the hated Kurbjuweits is the Notarbesuch on. Klaus, Uwe, Inge and their daughter Jule (Karolina Lodyga) now hope to inherit money and real estate - but they are surprised by an unusual testament. They have to scatter the ashes of the dead in places in their East Prussian homeland, which were important to the father. Together with the young Polish notary Krzysztow (Piotr Witkowski), who is supposed to supervise the proper implementation, they are leaving for good or ill. It takes them almost to Polish prison and soon to a wedding, where they understand better not only the father, but also himself better ...

In a senior citizens' residence in Berlin, six residents are betting on the Lotto jackpot of € 30 million. But what should one do with so much money in his old days? Lebemann Conrad wants to hit the spot again, while the gay couple Otto and Jakob are fulfilling their dream of sailing. The good-natured Rosi is unabashedly exempted from her children, while the adventurous Karin finally wants to travel the world, if need be even without her sullen husband. But although almost all can fulfill their dreams, fate holds after the lottery luck also a few setbacks.

Moritz Kaiser, good-looking single from passion, enjoys the carefree life in the fast lane. The successful chief designer of a furniture company lives in a luxury apartment and drives a thick sports car. The tide turns when he is fired after an affair with his boss's wife and finds no job. After unsuccessful lavatory cleaning, he lands at the small furniture manufacturer Toby Breuer, who wants to hire only a seasoned family man according to his alternative corporate philosophy.

Since the separation of his wife Katja, the architect Florian only sees his two daughters Anna and Sophie every other weekend. While he is looking for a solution to intensify the contact with the children, the doctor Katja tries to get the double burden of work and maternity duty better under control. As she falls in love again and wants to emigrate to Sweden, there is a bitter dispute. Florian sees his rights disregarded as a father, Katja feels constrained by its new claims in their life planning. In court, both want to enforce their interests

Lilly's life is perfect until she gets pregnant unexpectedly. Her boyfriend Christian panics making a disillusioned Lilly leave him. She finds comfort with her new neighbour Ulli König, but Christian finds his way back to her. In the meanwhile he developed fatherly feelings and tries to win Lilly back...

Paul receives a letter from one who claims to be his real father, proposing a last meeting before dying. He will travel to Australia and there he meets a woman that will be attracted.

Ein Mann am Zug is a German television series.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.