Ulrike Grote
More than fifty years have passed since Harry left his great love Elly head over heels to go to America. Now he has returned to see her again - and must discover that she lives as a nun in a Protestant monastery. At first she refuses to contact him, the pain is too deep that he has not been alive throughout the years. Only when she learns the true reason for his supposed silence does she let Harry back into her life. With the memory of the past times, the two also return to the old feelings. Elly gets into a deep moral conflict
Green meadows, blue sky in Swabia: Actually, the world of the two villages Oberrieslingen and Unterrieslingen should be in perfect order. But she is not. Why? Because the two hostile villages have had to share a church and a cemetery since the Middle Ages, which has caused squabbles and squalor to this day.
This quiet comedy by screenwriter Arndt Stüwe - reminiscent in style and tone of Billy Wilders "The Apartment" - Rolf Schübel staged emotionally and attractively with Bernadette Heerwagen and Wotan Wilke Möhring: a heart-warming Christmas love.
The story of the German sail-training ship Pamir that sunk in a hurricane.
On a winter day, Walter Dahlman is getting ready for a job interview; he's an unemployed architect in Hamburg. As he leaves his flat with little time to spare, a boy of about eight stops him in the hall and asks for a ride to school. Walter doesn't know the lad, who says he's Yuri. The boy is persistent; Walter, who has only a bicycle, ends up giving Yuri a lift to school. The boy calls him "Daddy," and it's just the beginning of Walter's trials and tribulations. Who is the boy, where is his mother, and why Walter?
Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.
Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp.
In her new film CULPA, director Ulrike Grote tells the story of a couple who deals with a tragedy in very different ways. Although the event happened years ago, it remains omnipresent for the two main characters and has determined their lives ever since. Now they have reached a point where they have to choose whether or not to stay together or split up.
