Ulver Skuli Abildgaard
Sprees of violence, occult rituals, and brainwashing aren’t exactly what we’ve come to expect with Danish rock-legends Dizzy Mizz Lizzy. But in the hands of director Marc Luis Sutton, that’s exactly the story that unfolds in the 23 minutes long suite ‘Amelia’ from the band’s latest album, Alter Echo. The result is an opulent work of art, beautifully shot on 16mm.
Karlskov is a self made, successful owner of a large electronics factory, has a wife and five children. They live the good, privileged upper-class life on Strandvejen north of Copenhagen when the Nazis occupy Denmark in April 1940. Karl struggles to continue production at the factory, but to protect his family and employees he reluctantly begins to produce for the German market. It brings him into a controversial collaboration with the occupying power and causes painful breaks in the family.
A funny and moving story of family and free love set in a freewheeling 1970s commune. When Anna and Erik inherit a huge house, they gather a motley crew of cohabitants to reinvigorate their lives, forcing them to reconcile their new values with old habits.
The city is gasping for air in the scorching summer heat; everyone is under suspicion; a persistent detective superintendent is burrowing for the truth. A fiercely penetrating drama about a mother's love for her autistic adult son, who is suspected of murdering a local girl. The mother knows her son could have committed the murder, but she conceals her knowledge, and gradually becomes entangled in a thicket of lies. How far is she prepared to go to protect her son who is helpless in so many ways? Does she have it within her to give up the only person she loves?
