Uroš Urošević
Belgrade, Yugoslavia, 1979. While Yugoslav president Tito is in Cuba settling international matters, a mysterious Phantom occupies the attention and hearts of Belgrade. Every night, he exhibits spectacular driving maneuvers using a stolen white Porsche car through the city streets. Through the radio the Phantom publicly challenges the police to try and catch him. More than 10.000 people are in the streets supporting their hero. The police are forced into a game where he sets the rules. The Phantom becomes a political threat. What started as a game turned into a political scandal and remained a myth that would never be forgot.
The main actors in this low budget, independent film live in disharmony with their thoughts and speech. For same reason, its sound doesn't correspond to picture, which is the outcome of global worldwide disharmony of our time. Such disharmony exists both in this film, whose heroes aim for freedom, and in lives of people in audience who want that freedom, while not knowing what they should be freed of.
