Uwe Wilhelm
Jean Berlinger is a gentleman and master thief. With playful ease he breaks into well-secured museums and steals their most valuable exhibits. The police are always in the wrong. With the money he receives for the precious loot, he supports retirement homes and homeless shelters. In preparation for his next coup, Berlinger meets the beautiful educator Julia. She runs a kindergarten next to the Egyptian Museum, from which Berlinger wants to steal the world-famous Nefertiti.
Linda Lano loves her job in an advertising agency and she also loves the men. But most men think of them as machos, as does charming big business Mike Badon. She expresses this bluntly and thus puts the success of their agency on the line. The widowed Mike is intrigued by the idiosyncratic Linda. When it sparks between the two, however, the attractive Susanne Badon appears. Since Linda misses the supposedly faithless Mike the pass. Linda only realizes that Susanne is Mike's younger sister when it's almost too late.
Katja Flint, Hannelore Elsner and Heiner Lauterbach star in this German film about a woman who climbs the social ladder by sleeping with those she encounters on her way to the top. When she's discovered dead in her apartment in 1957, the police try to piece together the clues to find out who murdered her … but to no avail.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
