Vahidin Prelić

Jovana works behind the counter at a bakery in the small town where she lives with her father. Her somewhat shy peer Marko is supposed to follow in his own father’s footsteps and become a truck driver. But the events of one night change both their lives… Serbian director Stefan Malešević debuts with a formally distinctive triptych whose loose narrative structure challenges the viewer to actively participate in putting together the pieces of the mosaic.

‘Borders, Raindrops’ is a film about love, maturity, and hope, growing in a barren and abandoned landscape. The film is divided in two parts, with the protagonist, a young woman – Jagoda – connecting them as a ghostly presence, bringing hope and reconciliation within the two narratives. She is a student visiting family in the summer, living in the declining villages of former Yugoslavia, overlooking the Adriatic coast. In the first story she bonds with a cousin in his mid-thirties, who is building a house in the village, but has no one to marry and live with him. In the second, she helps a teenage cousin understand that his nation is no better than others, and that they all have to learn to live together on the recently established borders.